Categories

The Beatles - Let It Be - HD

The Beatles - Let It Be - HD

 

 

Let It Be

From Wikipedia, the free encyclopedia
  (Redirected from Let it be)
Jump to: navigation, search
Let It Be
Studio album by The Beatles
Released 8 May 1970
Recorded
Genre Rock[1]
Length 35:16
Label Apple
Producer
The Beatles chronology
  • Let It Be
  • (1970)
 
 
Singles from Let It Be
  1. "The Long and Winding Road"
    Released: 11 May 1970
  2. "Let It Be"
    Released: 4 Jan 1970

Let It Be is the 12th and final studio album released by the English rock band the Beatles. It was released on 8 May 1970 by the band's Apple Records label shortly after the group announced their break-up.

Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group's final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the album for the 1970 motion picture of the same name. While three songs from the sessions were released as singles before the album's release, "Get Back"/"Don't Let Me Down" and "Let It Be", the songs were remixed by Spector for the album and "Don't Let Me Down" was not included.

Despite a mixed review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine's list of the 500 greatest albums of all time in 2003.[2] This was, however, adjusted to #392 in the 2012 version.[3]

Let It Be... Naked was released in 2003, an alternative version of the album stripping much of Phil Spector's production work and using some different versions of songs.

Contents

History

Concept

By late 1968, more than two years after the Beatles gave up touring, Paul McCartney was eager for the group to perform live again. The sessions for that year's The Beatles (commonly known as the White Album) had seen a number of serious arguments and strained relations among the group. McCartney felt that the group's cohesiveness had been lost through years without playing live, and from using the studio not to record ensemble performances but to make increasingly complex recordings made up of parts played individually by each Beatle as overdubs rather than as a group. He believed that the best way to improve band relations and revive enthusiasm was to get the group back into rehearsal as quickly as possible (the White Album sessions having only been concluded in October 1968) and begin work on a new album that made little or no use of studio artifice or multiple overdubbing. This would allow the group to return to their roots by playing as a true ensemble, perhaps recording some or all of the new album during a one-off live concert or full concert tour. This idea mirrored the "back to basics" attitude of a number of rock musicians at this time in reaction against the psychedelic and progressive music dominant in the previous two years. McCartney believed that a return to live performance would reinstill the same sort of ensemble spirit and sense of unity that they had in their early years together.

McCartney also decided to invite producer/engineer Glyn Johns to contribute to the recording. His proposed role was apparently not clearly defined, as McCartney also wished to retain the services of George Martin. As a result, Johns was not entirely sure whether he was supposed to be producing (or co-producing) the album or merely engineering it, with Martin having no clear idea of where he stood either.

The other three Beatles were less enthusiastic about McCartney's proposals. They had just completed five months' work on their previous album and were skeptical about the prospects of returning to live performance. George Harrison in particular was very opposed to the idea of touring, having taken the strongest dislike of any of the group to the grueling tours of the Beatlemania era.[4] However he had recently enjoyed a series of jam sessions with Bob Dylan and the Band in the US, rediscovering his liking for straightforward ensemble playing, and he was attracted to the idea of the "back to basics" approach. The same approach greatly appealed to John Lennon, who had grown increasingly wary of what he regarded as the excessive technical artifice used on their recordings since Revolver and had also made a recent return to no-frills ensemble playing in the shape of an appearance on The Rolling Stones Rock and Roll Circus. In addition, all the group members had greatly enjoyed the recording of Lennon's song "Happiness is a Warm Gun" during the recent White Album sessions which, due to its multiple sections and myriad time signature changes, had required the Beatles to focus sharply and revive their ensemble playing skills to lay down a coherent basic rhythm track before any overdubbing could be applied. In the end, the group agreed to convene for rehearsals immediately following New Year's Day 1969 to begin work, even though no suitable conclusion or even firm direction for the new project had been agreed upon.

Conflicts

The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year's White Album resumed soon after the rehearsals began. The Beatles were not getting along, and Lennon and McCartney weren't working together as before. McCartney assumed the role of the leader, while a laid back Lennon was more interested in spending time/making music with his soon-to-be wife Yoko Ono, who was now present in the studio with him at all times. All of the factors led to friction within the band. At one point, Harrison walked out and quit the group after several arguments with McCartney, and a severe fall-out with Lennon, due to the former's perfectionism and the latter's growing lack of interest in the band, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing "the break-up of a band".[5][verification needed]

Twickenham rehearsals

Since all the rehearsals were to be filmed by Michael Lindsay-Hogg and his film crew, the decision was made to use a film studio for rehearsals and the sound stage at Twickenham Studios was chosen. The group began rehearsals there on 2 January 1969. Sound recordings were made on Nagra mono recorders solely for the purpose of the film sound track; no professional multi-track recordings were made of these sessions as the Beatles were simply rehearsing for a proposed live performance. Phil Spector later used a snippet of dialogue from one of these rehearsals (Lennon announcing "Queen says no to pot-smoking FBI members") to introduce "For You Blue" on the finished album. Numerous bootleg records taken from the many hours of these soundtrack recordings are in wide circulation and various bits of music and dialogue from the same source were eventually used on the second disc of the 2003 release Let It Be... Naked.

The rehearsals quickly disintegrated into acrimony. Unable to generate much enthusiasm or focus their attention, the Beatles' playing was largely ragged and unprofessional, not helped by the fact that they were severely out of practice at playing as a live ensemble. McCartney tried to organise and encourage his bandmates, but his attempts to hold the band together and rally spirits were seen by the others as controlling and patronising. Matters came to a head on 6 January, when Harrison had a heated argument with McCartney during a rehearsal of "Two of Us", which later became one of the most famous sequences in the Let It Be film. What is not shown in the film is another, allegedly much more severe argument Harrison had with Lennon on 10 January. Harrison had become fed up with Lennon's creative and communicative disengagement from the band and the two had a blazing row. According to journalist Michael Housego of The Daily Sketch, this descended into violence with Harrison and Lennon allegedly throwing punches at each other, though in a 16 January interview for the Daily Express, Harrison said, "There was no punch-up. We just fell out." After lunch, Harrison announced that he was "leaving the band now" and told the others "see you round the clubs". He promptly walked out, getting in his car and instead of returning home to his wife Pattie at his Esher home Kinfauns, he drove straight to his parents' home in Speke, Liverpool.[6]

After Harrison's departure that afternoon, the three remaining Beatles attempted to continue the rehearsal. As a practical solution to the problem of Harrison's absence, Lennon suggested hiring Eric Clapton to replace Harrison, possibly as a full-time member of the Beatles if Harrison stuck with his decision to quit the band permanently. McCartney and Starr vetoed this suggestion, with the former arguing that the group could not truly be considered as the Beatles without all four original members of the band.

Recording sessions

A week later the band agreed to Harrison's terms for returning to the group, which included abandoning the cold and cavernous soundstage at Twickenham. Sessions resumed on 22 January when the Beatles moved to Apple Studios. Multi-track recording began on that date[7] and continued until 31 January.[8] Harrison brought in keyboardist Billy Preston to ease tensions and supplement the band for the live performances. Preston worked with the Beatles throughout their stay at Apple Studios.

The live concert idea culminated with the Beatles and Preston performing on 30 January on the rooftop of the Beatles' Apple Building at 3 Savile Row before a small audience of friends and employees. The performance was cut short by the police after complaints about noise. The complete concert has circulated among bootleg collectors for many years. Three numbers recorded at the rooftop concert, "Dig a Pony", "I've Got a Feeling" and "One After 909", do appear on the album, while several spoken parts of the concert appear between tracks that were recorded in studio.

The band played hundreds of songs during the Get Back/Let It Be sessions. Aside from original songs ultimately released on the Let It Be album, there were early versions of many songs that appeared on Abbey Road, including "Mean Mr. Mustard", "She Came in Through the Bathroom Window", "Sun King", "Polythene Pam", "Golden Slumbers", "Carry That Weight", "Something", "Maxwell's Silver Hammer", "Oh! Darling", "Octopus's Garden", and "I Want You (She's So Heavy)". Still others would eventually end up on Beatles' solo albums, including Lennon's "Jealous Guy" (called "Child of Nature" at the time and originally written and rehearsed for the White Album) and "Gimme Some Truth", Harrison's "All Things Must Pass", "Isn't It a Pity", "Let It Down" and "Hear Me Lord", and McCartney's "Another Day", "Teddy Boy", "Junk" (originally written for the White Album) and "The Back Seat of My Car". Much of the band's attention was focused on a broad range of covers, extended jams on 12-bar blues, and occasional new efforts such as Lennon's uncompleted "Madman". These included classical pieces such as Samuel Barber's "Adagio for Strings", jazz standards such as "Ain't She Sweet", and an encyclopaedic array of songs from the early rock and roll era such as "Stand By Me", "Words of Love", "Lonely Sea", "Bésame Mucho" by Mexican composer Consuelo Velázquez (a song that was part of The Beatles' repertoire in the early days) and "Blue Suede Shoes". Multiple Bob Dylan songs were also played, including "Positively 4th Street", "All Along the Watchtower" and "I Shall Be Released".[9] Only a handful of these were complete performances; the vast majority were fragmentary renditions with at most a verse or two of misremembered lyrics. The rehearsals and recording sessions were filmed and formed the basis of the Beatles' film of the same name.

Two songs appearing on the album were not recorded during the Apple Studios sessions. "Across the Universe" had been recorded at EMI Studios in February 1968, and "I Me Mine" was not recorded until January 1970 after John Lennon's unannounced departure from the group.

Get Back albums

After increasing use of overdubs and multi-layered recordings on recent albums, there was at first a consensus to record the new album live. In keeping with the back-to-roots concept, the cover artwork was planned to be an update of the cover of their first album, Please Please Me, with the band looking down the stairwell of EMI's headquarters office block in Manchester Square, London. A different photograph from the same photo session was later used on the compilation album 1967–1970 (aka The Blue Album).

In March 1969, Lennon and McCartney called engineer Glyn Johns to EMI and offered him free rein to compile an album from the Get Back recordings.[10] Johns booked time at Olympic Studios between 10 March and 28 May to mix the album and completed the final banded master tape on 28 May. Only one track, "One After 909", was taken from the rooftop concert, with "I've Got a Feeling" and "Dig a Pony" (then called "All I Want Is You") being studio recordings instead. Johns also favoured earlier, rougher versions of "Two of Us" and "Let It Be" over the more polished performances from the final 31 January session (which were eventually chosen for the Let It Be album). It also included a jam called "Rocker", a brief rendition of the Drifters' "Save the Last Dance for Me", Lennon's "Don't Let Me Down" and a 5-minute version of "Dig It".[11] Acetates were prepared for the Beatles, who were not really interested in the project any longer. At least one copy of the acetate made its way to America and was aired on radio stations in Buffalo, New York, and Boston in September.

Cover of the aborted Get Back album. Mirroring the cover of the band’s first album, Please Please Me, was John Lennon's idea.

Get Back version one, May 1969:[11]

Side one
  1. "The One After 909"
  2. "Rocker (Improvisation)"
  3. "Save the Last Dance for Me"
  4. "Don't Let Me Down"
  5. "Dig a Pony"
  6. "I've Got a Feeling"
  7. "Get Back"
Side two
  1. "For You Blue"
  2. "Teddy Boy"
  3. "Two of Us"
  4. "Maggie Mae"
  5. "Dig It"
  6. "Let It Be"
  7. "The Long and Winding Road"
  8. "Get Back" (reprise)

The Get Back album was intended for release in July 1969, but its release was pushed back to September to coincide with the planned television special and the theatrical film about the making of the album. In September, the album's release was pushed back to December because the Beatles had just recorded Abbey Road and wanted to release that album instead. By December the album had been shelved.

On 15 December, the Beatles again approached Glyn Johns to compile an album from the 'Get Back' tapes but this time with the instruction that the songs must match those included in the as yet unreleased Get Back film. Between 15 December 1969 and 8 January 1970, new mixes were prepared. Glyn Johns' new mix omitted "Teddy Boy" as the song did not appear in the film (and possibly because McCartney had indicated to Johns that he had re-recorded the song for his upcoming McCartney album). It also added "Across the Universe" (a remix of the 1968 studio version, as the January 1969 rehearsals of the song were judged unsatisfactory) and "I Me Mine", on which only McCartney, Harrison and Ringo Starr performed (Lennon was on holiday in Denmark and had essentially left the band by that time).[12] "I Me Mine" was newly recorded on 3 January 1970, as it appeared in the film and no multi-track recording had yet been made. The Beatles once again rejected the album.[13]

Get Back version two, January 1970:[13]

Side one
  1. "The One After 909"
  2. "Rocker"
  3. "Save the Last Dance for Me"
  4. "Don't Let Me Down"
  5. "Dig a Pony"
  6. "I've Got a Feeling"
  7. "Get Back"
  8. "Let It Be"
Side two
  1. "For You Blue"
  2. "Two of Us"
  3. "Maggie Mae"
  4. "Dig It"
  5. "The Long and Winding Road"
  6. "I Me Mine"
  7. "Across the Universe"
  8. "Get Back" (reprise)

Completion and release

In March 1970, the session tapes were given to American producer Phil Spector. Spector worked on the tracks and compiled the eventually released album—by now entitled Let It Be. The album and the film with the same name were released on 8 May 1970; the Beatles had already broken up by that time. The film captured the critical tensions within the band, and also included footage from the rooftop concert. The rooftop performance closed with the song "Get Back", and afterwards Lennon said, "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition." The joke was added to the studio version of the song that appeared on the album.

Several songs from the recording sessions have been released officially in versions different from those on the Let It Be album. "Get Back"/"Don't Let Me Down" and "Let It Be" were released as singles in 1969 and 1970, respectively.[14] Seven tracks were live performances, in accordance with the original album concept: "I've Got a Feeling", "One After 909" and "Dig a Pony" from the rooftop performance, and "Two of Us", "Dig It", "Get Back" and "Maggie Mae" from studio sessions. Contrary to the original concept, the album versions of "For You Blue", "I Me Mine", "Let It Be" and "The Long and Winding Road" feature editing, splicing and/or overdubs. "Don't Let Me Down", also recorded live and previously released as the B-side of "Get Back", was not included on the album.[15] The twelfth track on the album is an edited version of the original 1968 recording of "Across the Universe", slowed down from D-natural to D-flat, which had only been rehearsed at Twickenham and not professionally recorded on multi-track tape during the January 1969 sessions.[16]

McCartney was deeply dissatisfied with Spector's treatment of some songs, particularly "The Long and Winding Road". McCartney had conceived of the song as a simple piano ballad, but Spector dubbed in orchestral and choral accompaniment. McCartney unsuccessfully attempted to halt release of Spector's version of the song or at least have it altered. Despite the criticisms levelled at Spector over the years for his handling of the material, Lennon defended him in his 1971 Rolling Stone interview, saying, "He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever, and he made something of it."

The original box set packaging of Let It Be. It contained a 160 page booklet with photos and quotes from the film.

In the UK and Canada, the album was originally issued by Apple (and distributed by EMI) in a lavish box that also included a book featuring stills from the Let It Be film. Several months later, the album was reissued in a standard LP jacket, sans book. In the United States, the Let It Be album was issued in a standard jacket, without the book.

Original American copies of Let It Be bore the Apple Records label, but because United Artists distributed the film, United Artists Records held the rights to distribute LP copies of the album in America. (EMI subsidiary Capitol, which held the Beatles' US contract, had simultaneous rights to the music on the album, allowing them to distribute pre-recorded tape versions of the album, as well as to release its songs on singles and compilation albums. Capitol, however, did not have the rights to release or distribute the album in LP format.) To indicate that Let It Be was not distributed by Capitol, the Apple logo and record label in America sported a red apple, rather than the Beatles' usual green Granny Smith apple.

In early 1976, when the Beatles' EMI contract expired, the group's catalogue in the US transferred from Apple to Capitol; Let It Be, however, went out-of-print in America for three years.[17] In 1979, Capitol/EMI acquired United Artists Records; with this acquisition, Capitol acquired the rights to two Beatles albums previously distributed in the US by United Artists, Let It Be and the soundtrack album A Hard Day's Night. (As A Hard Day's Night had never been issued by Apple in the US, it remained in print in America under the United Artists label when the Apple contract expired in 1976.) Shortly after acquiring United Artists Records, Capitol re-issued both UA distributed Beatles albums on the Capitol label.

The album was first released on CD on 19 October 1987. Along with the other Beatles albums, EMI released a re-mastered CD on 9 September 2009 and an electronic version (24-bit FLAC and MP3 formats on a USB drive) on 4 December 2009. Most critics felt that the sound was significantly improved over the 1987 CD, given the superior digital transfer technology available in 2009.[citation needed]

The Beatles won the Academy Award for the Best Original Song Score in 1970 for the songs in the film.

Let It Be... Naked

At the same time the film's re-release was announced, McCartney announced plans to release a new version of the album that is closer to what he had originally intended for the project. The new collection, Let It Be... Naked, was released on 17 November 2003, in a two-disc format—the second disc contained fly-on-the-wall recordings of the band chit-chatting during the Get Back Sessions. The songs were re-mixed from the original multitrack recordings. The recording did not contain the humorous spoken passages and lavish orchestral overdubs from Let It Be. The album received mixed reviews, some critics praising the simpler re-mixes and others expressing disappointment that the new album lacked the fun and humour of Let It Be.

Reception

Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars[1]
Robert Christgau A−[18]
Consequence of Sound 3.5/5 stars[19]
Encyclopedia of Popular Music 3/5 stars[20]
Pitchfork Media 9.1/10[21]
Rolling Stone mixed[22]
The Rolling Stone Album Guide 3/5 stars[23]
The Rolling Stone Record Guide 2/5 stars[24]
Sputnikmusic 4/5[25]

Although Let It Be would earn the top spot on both the American and British record charts, with the "Let It Be" single and "The Long and Winding Road" also reaching number one in the US, the album was met with mixed reviews at the time of its release. The NME critic Alan Smith wrote "If the new Beatles' soundtrack is to be their last then it will stand as a cheapskate epitaph, a cardboard tombstone, a sad and tatty end to a musical fusion which wiped clean and drew again the face of pop."[citation needed] Rolling Stone magazine was also critical of the album, citing Spector's production embellishments as a sore point: "Musically, boys, you passed the audition. In terms of having the judgment to avoid either over-producing yourselves or casting the fate of your get-back statement to the most notorious of all over-producers, you didn't."[citation needed]

Track listing

All songs written and composed by Lennon–McCartney, except where noted. 

Side one  
No. Title Lead vocals Length  
1. "Two of Us"   McCartney and Lennon 3:37
2. "Dig a Pony"   Lennon 3:55
3. "Across the Universe"   Lennon 3:48
4. "I Me Mine" (George Harrison) Harrison 2:26
5. "Dig It" (Lennon–McCartney–Harrison–Richard Starkey) Lennon 0:50
6. "Let It Be"   McCartney 4:03
7. "Maggie Mae" (trad. arr. Lennon–McCartney–Harrison–Starkey) Lennon and McCartney 0:40
Side two  
No. Title Lead vocals Length  
1. "I've Got a Feeling"   McCartney and Lennon 3:38
2. "One After 909"   Lennon and McCartney 2:54
3. "The Long and Winding Road"   McCartney 3:38
4. "For You Blue" (Harrison) Harrison 2:32
5. "Get Back"   McCartney 3:09

Personnel

The Beatles
Additional musicians
Production

Covers

The album's songs have been covered by numerous performers including American Idol 8 winner Kris Allen, Brooke White, Katie Stevens, Boney M., Annie Lennox, Joan Baez, George Michael, Willie Nelson, Pearl Jam, David Bowie, Fiona Apple, Billy Ocean, Elvis Presley, Diana Ross, Status Quo, Seether, Stereophonics, Rod Stewart, Paul Weller, Jennifer Hudson, and Widespread Panic. In addition, the Slovenian group Laibach covered the entire album except for the title track.[26]

Charts and certifications

Peak positions

Chart Position
Australian Kent Music Report Chart[27] 1
Canadian RPM Albums Chart[28] 1
Dutch Mega Albums Chart[29] 1
French SNEP Albums Chart[30] 5
Italian Albums Chart[31] 1
Japanese Oricon LP Chart[32] 2
Norwegian VG-lista Albums Chart[33] 1
Swedish Albums Chart[34] 2
UK Albums Chart[35] 1
US Billboard 200[36] 1
West German Media Control Albums Chart[37] 3

Peak positions (1987 Reissue)

Chart (1987) Position
Japanese Albums Chart[32] 8
UK Albums Chart[38] 50

Peak positions (2009 Reissue)

Chart (2009) Position
Austrian Albums Chart[39] 52
Belgian Albums Chart (Flanders)[40] 37
Belgian Albums Chart (Wallonia)[41] 64
Danish Albums Chart [42] 40
Finnish Albums Chart[43] 34
Japanese Albums Chart[44] 18
Mexican Albums Chart[45] 30
Portuguese Albums Chart[46] 11
Spanish Albums Chart[47] 45
Swedish Albums Chart[48] 24
Swiss Albums Chart[49] 48
New Zealand Albums Chart[50] 29
UK Albums Chart[51] 49

Year-end charts

Chart (1970) Position
Australian Albums Chart[27] 6
French Albums Chart[52] 64
Italian Albums Chart[31] 3
UK Albums Chart[53] 6
US Billboard Pop Albums[54] 31
Chart (1972) Position
Japanese Albums Chart[55] 8
Chart (1973) Position
Japanese Albums Chart[55] 7

Decade-end charts

Chart (1970–79) Position
Japanese Albums Chart[56] 3

 

Author:Bling King
Published:Mar 7th 2013
Modified:Mar 7th 2013
Please Sign In to Add a Comment
or

 

 

Add Member

Add video

Add a Chat Room

Add Photos

Add Website Link

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Alcatraz

In Room: 0
The prison
 

 

 

 

California

In Room: 0
Welcome
 

CONCERT

In Room: 0
This is the video room for all online live concerts
 

Darrell on camera

In Room: 1
video messanger with Darrell here.
 

General Chat

In Room: 0
 

Gillian Howards

In Room: 0
A place to chat with me.
 

Grand Canyon

In Room: 0
Thee Grand Canyon
 

Ground Zero, New York City

Harvard University

In Room: 0
 

Jamie Perrins

In Room: 0
This is a place to talk with me.
 

Jessica Mott

In Room: 0
Talk to me here.
 
Categories

:
:
:

Image result for banner ad

Image result for banner ad                                        Image result for banner adImage result for banner ad                                 Image result for banner ad

Voting Poll
:
There is no such thing as time
Posted by Bling King

    

     Upon further ponderance I have come to the conclusion that time does not exist except in the law of physics. I have come to this conclusion through the observation of how things change and why they change at the pace in which they change. To me it seems that every change that takes place  in the universe is not dictated by time but rather physics. It is the law of physics that dictates the rate and speed at which all things change. For example if you have a car  that is traveling at 100 miles an hour the speed at  which the car travels is all dictated by physical changes and therfor controlled by the law of physics..Therfor it seems that for any change to take place all you need is physics and the law of physics that governs the physical changes. Time does not need be a factor and bears no relavance. As long as we have the law of physics everything will happen in accordance with those laws.

The composition of time
Posted by Bling King

   

    Time has 3 components. A front a middle and a rear. In the front time has what appears to be something of perspectual perspectualness that will move things forward at a set forth proponent. This part of time is easy to see and witness. However it is not easy to predict at which point time will make forward momentum happen. It would seem that this forward momentum is always in inactment but I would disagree with this. To me it seems more as if time interacts with things on its own accord leaving somethings unchanged for long standing periods of time. An example of this would be how time occasionally interacts with the speed of light. The speed of light remains constant but occasionally time will manifest itself into the equation and make modifications of the speed that light travels. For instance light will move forward forthwittingly at a billion miles a second but if it encounters any kind of resistance then time will inject itself and change the speed at which it was moving. Which leads me to the assumption that in order for time to inject itself into any equation a proponent has to take place that makes a physical change that would cause time to interject itself. If no physical change takes place than time has also not been a factor.

    The middle proponent of time is the area in which time is manipulating  the change that takes...Read More

👄What turns me on
Posted by Bling King

    I get turned on by some funny stuff. I'm not really into like full blown kinkiness or at least I wouldn't consider myself to be a kinky person but I do have a few fetishes. Some of them are a little out of the ordinary. For instance I have this one fetish about being tied up  and thrown in the ocean and then rescued by a mermaid. I think this fantasy comes from when I was a kid and I used to dream of mermaids and always wanted to meet one. Well one day its gonna happen. Now don't go telling me mermaids don't exist. You don't know cause they are in fact real and as soon as I meet one I will prove it to you. As far as some of my other turn ons  I guess what really gets me excited is people who  tell other people to shut the fuck up. I love when a woman just looks at a man and tells him to shut his mouth. To me thats a big turn on because the woman seems assertive like a dominatrix or something. If she will be assertive in a conversation she will be assertive in the bedroom or so I  would like to believe.

Time is a dialectable derelict
Posted by Bling King

To fathom the fortrighteousness of time one has to contemplate the personification of forthwittial forthwittil. Time forthwittingly will only listen to the commands of its on inner personification to which there is no directional direction or so it would seem but on further inquisitories I have come to realize that there is a forthwittingly forthwittal of which time has pronounced and those commands seem to speak to the nature of to which time corresponds. To review these pronouncements for your own bemusement look at time as if you had it captured it  in a bottle. What would happen? We know on the inside of the bottle time would force the inner workings of the bottle to correspond to times diabolical commands. Causing everything to change to times everlescent rules. however on the outside of the bottle things would not change, everything would stay in constant neutrality or would it? The question remains if there was no time would things still be allowed to happen and if so at what pace and what would dictate the pace at which things would change. There seems to be no rule in place for the dictation of the pace change which takes place. So it would seem that time has decided that factor somehow within itself. There could be a correlation at which things change and the pace being dictated by physics and the amount the physical world can be allowed to change within its own accord of set boundaries. To actually find...Read More

Free from time constraints
Posted by Bling King

 

 

 

There was a time when time did not matter. The thing that was an utmost relevance now was of no matter. The diffrence it made seemed miniscule and now it is constantly dictating everything that takes place before me. What is this thing that controls and makes everything manifest itself to its constraints and why and how does it do this. Time is nothing but the utmost miracle before us. Something that has always had to exist for anything ever to take place. There is no changing its course there is no variance in its absolute everlasting existance. To control time would be the utmost  crown jewel of all accomplishments if indeed it could ever be controlled. The only way I ever see time being manipulated to change its values is to speed up everything that time has interacted with. In order to do such a thing you would have to understand the nature of the objects in question and how they are effected by time. For instance a speeding car will slow down in time without constant force being distrubuted by the engine. To slow down the car one only has to take their foot off the accelarator and gradually time will do the rest but if you could freeze time at the speed at which the car was traveling then time would not  exist because the...Read More

the truth about time
Posted by Bling King

        I have looked at time many times and I have noticed a few components. There is a precise proponent that ushers in a manifestation. Whenever something new is going to happen you can look at that event which is about to take place and precisely predict exactly when it has started. Once you realize a manifestation has taken place you can precisely predict its out come. If you know that a manifestation has started to take place then you will know you are being guided through the realm precisely by the forces of an enlightenment. Throughout time this manifestation will remain constant starting with a beginning and an end and ending in a preconcieved enlightenment. Sometimes an enlightenment can take weeks and some times an enlightenment can take centuries. It depends on how many times that enlightenment has been benounced to the realm. 

 

nothing
Posted by Bling King

I suspect a suffcient of sufficence of suffiacantel suffiance of suffiance of absurdity of absurdanace. In all actual actuality there is an  actual actuality of actualityness in retrospect to the retorospective respect in which every person who has an intellectual intellect can see that the world is a prominance of prominance in which the order will reside as long as the order is maintained. Once that order is relinquished chaos will ensue. For chaos to be a calamity there only needs to be a perspectual perspective of perspectance that escalates the chaos to that height. What would cause that is a person or persons in the realm of the realmatical realmatics looking beyond thier own existance to the existance of there forfathers to see what has become of thier existance. If you look at your own existance for what it is you will see that it is neither logical nor illogical for it makes all the sense of a sensimatical sensematic. As long as you have a reason for your own existance then it is fruitful for you to exist. Once that reason or reasons are gone you will no longer care whether it is you live or die. In the realm in which we live is a prospectus prospectant of prospectantin which all will ensue. To change the prospectus prospectus you need to look to the realm and see what the prospectus prospectant is and manifest it to your own liking. My...Read More

The conclusive conclusion
Posted by Bling King

In all actual reality the realm is manifested of certain procedural procedures that come forth frequently to forthrightous forthrightenous. In the place of predicament I have found that I can properly place things in the procedural sequence unbenowst to people of the realm. In order to conflict the conflictions you have to equate the equation of equationalness in to proper equations. Very simple but also very tedious. You do this by equating the equation into percise preciseness. An example of an equation would be a placement of perdicament of a certain event in which you wish it to be. The next manifestation I could manifest is a manifestual manifestation of manifests of a sequance of certainal circumstances. Put together a sequence by asking the sequence in order to manifest itself and then tell the manifestations to happen in frequence in which they will unfold.

The Unattainable future
Posted by Bling King

     If the future is a grain of sand and its falling through an hour glass nothing in the world can stop it. It will eniquivaocalby blind as to where its going when it comes to its rest it has befallen its fate and will remain where it lay for an eternity knowing nothing about itself or it's surroundings. I am that grain of sand. Nothing ever can change my destiny for only time here makes a diffrence.. To benounce the future is the only way to change ones fortune. The time it takes to make an equivical change remains the utmost mystery of the universe.

🤯In the eyes of myself
Posted by Bling King

 

 

There where three men. All who seemed frightened. They stood on the edge of the canyon looking on as a fourth man tumbled to his death. We could have saved him said one of the men. He should have saved himself said another. The third man just look at them bewildered and brought a handgun to his own head and pulled the trigger. Blood spattered. The two men watched as he slumped to the ground. The first man screamed and the second threw himself to the side of the man on the ground. Why?!! he screamed. It was the only sound heard. Sobbing he looked at the man standing and said you did this! You and your frigging righteous speech about the lives we leave and the sacrifice we must make. Your the devil. I am not the devil said the standing man only the truth. The truth about what? The other man screamed. Your life he said and he jumped.

The man heard a ringing and he sat up slowly. It was over the dream but his thoughts where still on the side of the canyon. How did this happen. How did it all just fade away? The dream came and went in an instant leaving his mind boggled and his eyes heavy. I knew I was there thought the man but how? It was all to familiar the...Read More

The story Elijah and Ellen
Posted by Bling King

The story of Elijah and Ellan. This is the story of Elijah and Ellan. Ellan is a beutiful temptress and Elijah is a dutiful servant of Ellan's. Together the pair fell in love and soon became a duo of in excessible excession. They frolicked in the sun under the rare occurance of rain they took shelter in the arms of each other. One day while hiding from the glares of the sun under an oak tree that provided an abundance of shade they looked into each others souls and realized there where no people suited for each other then the two of them where suited for each other. They basked in the notion that they where the most two compatible souls on the planet. As they where thinking this a giant unforseen acclamaited acclamation occurred. The planet began to tremble and shake beneath them and the stars came out. The sun hid amongst the clouds and everything from start to finish began to take shape. There where huge explosions and giant surges of wind and rain. The two began to run for their shelter knowing at the exact moment the trembling and violent agressions of unacclaimated weather started that they most likely wouldn't make it to see another sunrise. The planet was exploding with molten lava and the tempertures where unbearable as for the two of them could remember they had never seen a winter climate and didn't expect they ever would. The planet had been warming out of...Read More

today was a day of dismal despair
Posted by Bling King

Things have gone down hill drastically now for a very long time. We seem to be some what defeated but yet i know we still have some power and prominance. We are fighting an up hill battle and there is no way forward from here from what i can see. We are trudging along a path that goes nowhere.

⚔️The Greatest Warrior of All Time
Posted by Bling King

 

 

Today i conquered and beat all adverseries there where to beat. Tomorrow new adversaries will arise. I will be ready, there is never a shortage of enemies who wish to dethrone me from the top of the world. I didn't get here by being passive and yeilding to the oppostion. I got here by defeating them both mentally and physically and in entiriety.

In a time of desilute despair
Posted by Bling King

     There was a time when I was in desilute despair. The only thing I had was me myself and I to fall back on. I looked at the person who was my opponent and I knew one of  us was going to die and I was going to do everytrhing I could to make dam sure it wasn't me. I pulled my six shooter from its holster and aimed at the guy looking at me  about 30 yards away. He also went for his gun and in lightning speed he was laid sprawled out on the dirt bleeding and moaning. I had heard a shot but new that it had come from my own gun. He never even got a shot off. I was unscathed and again undeafeted. Anybody who ever tried to kill me was dead and their where over 30 who had tried and failed to kill yours truly.

Gravity
Posted by Bling King

Gravity is the force of nature that pulls cellestrial bodies toward one another. The cause of gravity is the enertia of a bodies movement through space and time. This happens by an object preconcievably traveling through the cosmos at an alarming rate of acceleration. The faster an object travels the more enertia it will build up and then will therefore have a greater ability to move. the more it moves the more other objects will cling to it. the way this can be proved is by taking an object and hurtling it towards another object the two objects would collide do to the enertia pulling them towards each other. Thy would not stay on their current trajectory but their paths would alter towards one another in a greater force than their initial gravitational pull. the best test to accomodate this theory would be tow baseballs flying through the air at speeds over one hundred miles an hour. The baseballs would not interject themselves with one another normally but at this speed would do so do to the balls enertia pulling them towards one another.

:
 

 

Click Here To Buy A Million Secondlife  Avatar Names With UUID Keys List

How to post a website

To post a website to Ning Spruz add this line of code:

 

<p style="text-align: center;"><iframe frameborder="0" height="2000" scrolling="yes" src="https://useme.org/" width="1273"></iframe></p>

 

to the Youtube embed box and change the URL.

 

 

 

:

 

 

:

 

Make money online

   

 
:
Best Writing Blogs On The Internet https://the-nbafinals.com/ Indy 500 Live ESPN FOX CBS NBC SKY SHOWTIME PPV HBO REDDIT https://glasgowvsleinster.blogspot.com/ (*^[FULL]&%) https://livemlbonline.com
Added by sweetunclejim
Jul 12th 2013
http://www.pickwellnessdeal.com/forskolin-keto-cycle/ Been working out my butt at the gym. Hey I hope you like my bikini picture. Please comment. Antique slot machine
Added by Bling King
Mar 26th
Added by SweetRachael
Oct 22nd 2014
nice car..
Added by Bling King
Sep 15th 2012
nice!
Added by Bling King
Sep 15th 2012
cute
Added by Bling King
Sep 15th 2012
whats the question?
Added by Bling King
Sep 12th 2012
sexy
Added by Bling King
Sep 12th 2012
Whatcha think?
Added by Bling King
Aug 29th 2012
What do you think of my car?
Added by Bling King
Aug 29th 2012
Please Message US For Details. please comment
Added by Bling King
Aug 29th 2012
please comment
Added by Bling King
Aug 29th 2012
please comment
Added by Bling King
Aug 29th 2012
please comment
Added by Bling King
Aug 29th 2012
please comment
Added by Bling King
Aug 29th 2012
please comment
Added by Bling King
Aug 29th 2012
AWESOME!
Added by Bling King
Aug 14th 2012
obama
Added by Bling King
Aug 16th 2012
AWESOME!
Added by Bling King
Aug 14th 2012
AWESOME!
Added by Bling King
Aug 14th 2012
AWESOME!
Added by Bling King
Aug 14th 2012
I LOVE YOU!
Added by Bling King
Aug 14th 2012
AWESOME!
Added by Bling King
Aug 14th 2012
awesome!
Added by Bling King
Aug 14th 2012
awesome!
Added by Bling King
Aug 14th 2012
atari
Added by Bling King
Aug 14th 2012
whoa!
Added by Bling King
Aug 9th 2012
You can do it!
Added by Bling King
Aug 9th 2012
Girls girls girls
Added by Bling King
Aug 9th 2012
Hott!
Added by Bling King
Aug 7th 2012
Howard Stern
Added by Bling King
Mar 16th 2012
Harley
Added by Bling King
Mar 3rd 2012
Range Rover
Added by Bling King
Feb 23rd 2012
Hummer
Added by Bling King
Feb 23rd 2012
Added by Bling King
Feb 21st 2012
Bentley C
Added by Bling King
Sep 25th 2011
Attraction
Added by Bling King
Mar 3rd 2013
beatles image
Added by Bling King
Mar 3rd 2013
attraction
Added by Bling King
Mar 3rd 2013
cool image
Added by Bling King
Mar 3rd 2013
pyramid
Added by Bling King
Mar 3rd 2013

This website is powered by Spruz

Live Support