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Seinfeld

Jerry Seinfeld Highlights from the "Show about Nothing"

Seinfeld

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Seinfeld
Seinfeld logo.svg
Genre Sitcom
Created by Larry David
Jerry Seinfeld
Directed by Art Wolff
Tom Cherones
Andy Ackerman
David Steinberg
Starring Jerry Seinfeld
Julia Louis-Dreyfus
Michael Richards
Jason Alexander
Country of origin United States
Original language(s) English
No. of seasons 9
No. of episodes 180 (List of episodes)
Production
Executive producer(s) Larry David (seasons 1–7)
Benjamin Scott (seasons 3–5)
Howard West
George Shapiro
Andrew Scheinman
(seasons 2–4)
Jerry Seinfeld (seasons 8–9)
Alec Berg (season 9)
Jeff Schaffer (season 9)
Camera setup Multi-camera
Running time 22 minutes
Production company(s) Castle Rock Entertainment
Distributor Columbia Pictures Television (1995–1996)
Columbia TriStar Television (1996–2002)
Sony Pictures Television (2002–present)
Broadcast
Original channel NBC
Picture format 4:3 (SDTV)
16:9 (HDTV) (details)
Color
Original run July 5, 1989 – May 14, 1998
Chronology
Related shows Curb Your Enthusiasm
External links
Website

Seinfeld is an American television sitcom that originally aired on NBC from July 5, 1989, to May 14, 1998. It lasted nine seasons, and is now in syndication. It was created by Larry David and Jerry Seinfeld, the latter starring as a fictionalized version of himself. Set predominantly in an apartment block in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards).

Seinfeld was produced by Castle Rock Entertainment. In syndication the series was distributed by Columbia Pictures Television and Columbia TriStar Television. Sony Pictures Television distributed the series since 2002. It was largely co-written by David and Seinfeld with script writers, including Larry Charles, Peter Mehlman, Gregg Kavet, Andy Robin, Carol Leifer, David Mandel, Jeff Schaffer, Steve Koren, Jennifer Crittenden, Tom Gammill, Max Pross, Charlie Rubin, Marjorie Gross, Alec Berg, Elaine Pope, and Spike Feresten.

A critical favorite, commercial blockbuster and cultural phenomenon, the show led the Nielsen ratings in its sixth and ninth seasons and finished among the top two (with the NBC's ER) every year from 1994 to 1998. In 2002, TV Guide named Seinfeld the greatest television program of all time.[1] In 1997, the episodes "The Boyfriend" and "The Parking Garage" were respectively ranked #4 and #33 on TV Guide's 100 Greatest Episodes of All Time.[2] And in 2009, "The Contest" was ranked #1 on the same magazine's list of "TV's Top 100 Episodes of All Time".[3] E! named it the "number 1 reason the '90s ruled."[4] In 2013, the Writers Guild of America named Seinfeld the #2 Best Written TV Series of All Time (second to The Sopranos).[5] That same year, Entertainment Weekly named it the 3rd best TV series of all time.[6]

Premise and characteristics

Plotlines

Many Seinfeld episodes are based on the writers' real-life experiences, with the experiences re-interpreted for the characters' storyline. For example, George's storyline, "The Revenge", is based on Larry David's experience at Saturday Night Live.[7] "The Contest" is also based on David's experiences. "The Smelly Car", storyline, is based on Peter Mehlman's lawyer friend, who could not get a bad smell out of his car. "The Strike" is based on Dan O'Keefe's dad, who made up his own holiday—Festivus.[8] Other stories take on a variety of turns. "The Chinese Restaurant" consists of the main characters (excluding Kramer) waiting for a table throughout the entire episode.[9] "The Boyfriend", revolving around Keith Hernandez, extends through two episodes.[10] "The Betrayal" is famous for using reverse chronology, and was inspired by a similar plot device in a Harold Pinter play, Betrayal.[11] Some stories were inspired by headlines and rumors, as explained in the DVD features "Notes About Nothing", "Inside Look", and "Audio Commentary." In "The Maestro", Kramer's lawsuit is roughly similar to the McDonald's coffee case.[12] "The Outing" is based primarily on rumors that Larry Charles heard about Jerry Seinfeld's sexuality.[13]

Theme

Seinfeld broke several conventions of mainstream television. The show, often described as being about "nothing",[14][15][16] became the first television series since Monty Python's Flying Circus to be widely described as postmodern.[17] Several elements of Seinfeld fit in with a postmodern interpretation.[18] The show is typically driven by humor interspersed with superficial conflict and characters with peculiar dispositions. Many episodes revolved around the characters involvment in the lives of others to typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule.[18] Unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anyone in the show.[19]

The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals."[20] Usual conventions, such as isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc in which the characters promote a television sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it was not picked up as a series.

Catchphrases

Many terms were coined, popularized, or re-popularized in the series' run and have become part of popular culture.[21][22] Notable catchphrases include "Yada, yada, yada", "No soup for you" and "Not that there's anything wrong with that".

Other popular terms that made the transition into slang were created by, directed at or about secondary characters, including: "Festivus", "spongeworthy" and "re-gifter".

As a body, the lexicon of Seinfeldian code words and recurring phrases that evolved around particular episodes is referred to as Seinlanguage, the title of Jerry Seinfeld's best-selling book on humor.[17]

Music

A signature of Seinfeld is its theme music. Composed by Jonathan Wolff, it consists of distinct solo sampled bass synthesizer riffs which open the show and connect the scenes, often accompanied by a "percussion track" composed of mouth noises, such as pops and clicks. The bass synthesizer music eventually replaced the original sitcom music by Jep Epstein when it was played again after the first broadcast "The Seinfeld Chronicles". The show lacked a traditional title track and the riffs were played over the first moments of dialogue or action. They vary throughout each episode and are played in an improvised funk style. An additional musical theme with an ensemble, led by a synthesized mid-range brass instrument, ends each episode.

In "The Note", the first episode of season three, the bumper music featured a scatting female jazz vocalist who sang a phrase that sounded like "easy to beat." Jerry Seinfeld and executive producer Larry David both liked Wolff's additions, and three episodes were produced with this new style music. However, they had neglected to inform NBC and Castle Rock executives of the change, and when the season premiere aired, the executives were surprised and unimpressed, and requested that they return to the original style. The subsequent two episodes were redone, leaving this episode as the only one with additional music elements.[23] In the commentary of "The Note", Julia Louis-Dreyfus facetiously suggests it was removed because the perceived lyric related closely to the low ratings at the time.[24]

In the final three seasons (7, 8 & 9), the bits were tweaked slightly with more frenetic rhythms; a bass guitar was added in addition to the sampled bass from earlier seasons. Throughout the show, the main theme could be re-styled in different ways depending on the episode. For instance, in "The Betrayal", in which part of the episode takes place in India, the theme is heard played on a sitar.

Characters

Main

The main cast of Seinfeld
  • Jerry Seinfeld (Jerry Seinfeld) – Jerry is a "minor celebrity" stand-up comedian who is often portrayed as "the voice of reason" amidst the insanity generated by the people in his world. His character is a slight germaphobe and neat freak, as well as an avid Superman and breakfast cereal fan. Jerry's apartment is the center of a world visited by his eccentric friends.[25] Plot lines often involve Jerry's romantic relationships. He typically finds silly reasons to break up with women, including a habit of eating peas one at a time, over-sized "man hands" and an annoying laugh. Other plot lines involve his longtime nemesis Newman and his relatives, whom he meets with periodically. He also gets in trouble for "making out" in a theater during Schindler's List.
  • George Costanza (Jason Alexander) – George is Jerry's best friend. He is cheap, dishonest, petty and envious of others' achievements.[26] He is portrayed as a loser who is insecure about his capabilities. He complains and lies about his profession, relationships and most everything else, which usually creates trouble for him later. He often uses the alias Art Vandelay when lying or concocting a cover story. Despite these shortcomings, George has success in dating women and eventually secures a successful career as Assistant to the Traveling Secretary for the New York Yankees. During the run of the show, George and Jerry work with NBC to produce a pilot episode of a TV show called Jerry. During this time, he meets Susan Ross, who works for NBC. George has an on-and-off relationship with her, eventually getting engaged, until she dies at the end of season seven.
  • Elaine Benes (Julia Louis-Dreyfus) – Elaine is Jerry's ex-girlfriend. She is attractive, intelligent and assertive, while also being playful, selfish and self-righteous. She sometimes has a tendency to be too honest with people, which often gets her into trouble.[27] She usually gets caught up in her boyfriends' quirks, her eccentric employers' unusual tendencies and the unkindness of total strangers. She tends to pick poor choices of men to date and has a short fuse. She works at Pendant Publishing with Mr. Lippman, then is hired as a personal assistant for Mr. Pitt, and later works with the J. Peterman catalogue. One of Elaine's trademark moves is her forceful shove while exclaiming "get out" when she receives good or shocking news. Another is her memorable "Little Kicks" dance moves. She has an abiding hatred for The English Patient, which makes her unpopular with friends.
  • Cosmo Kramer (Michael Richards) – Kramer is Jerry's "wacky neighbor". His trademarks include his humorous upright pompadour hairstyle, vintage clothing and energetic sliding bursts through Jerry's apartment door. At times, he appears naive, dense and almost childlike, yet he shows astonishing insight into human behavior; likewise, he makes friends with people easily with his charming and easygoing manner and has nearly effortless success with women. He has been described as a "hipster dufus".Although he never holds a steady job, he often invents wacky schemes that often work at first then eventually fail. Among these are coffee table books about coffee tables (for which he appeared on Live with Regis and Kathie Lee) and a brassiere for men called the Bro, also known as the Manssiere, with Frank Costanza. Kramer is longtime friends with Newman, and they work well together despite their differences.[28]

Recurring

Many characters made multiple appearances, as a friend or a relative, like Newman and Uncle Leo. In addition to recurring characters, Seinfeld featured numerous celebrities who appeared as themselves or as girlfriends, boyfriends, bosses and other acquaintances. Many who made guest appearances became household names later in their careers, or were comedians and actors already well known.

Series overview

Seinfeld stood out from family and group sitcoms of its time. None of the principal characters is related by family or work connections but remain distinctively close friends throughout the series. It was often called "a show about nothing" by critics and its own creative personnel.

Tom's Restaurant, a diner at 112th Street and Broadway, in Manhattan that was used as the exterior image of Monk's Cafe in the show

Many characters were based primarily on Seinfeld's and David's real-life acquaintances. Two prominent recurring characters were based on well-known people: Jacopo Peterman of the J. Peterman catalog (based on John Peterman),[29] and George Steinbrenner, owner of the New York Yankees.[30] Many characters were introduced as new writers got involved with Seinfeld. Other characters based on real-life individuals include the Soup Nazi [31] and Jackie Chiles based on Johnnie Cochran.[32]

Seinfeld follows its own structure: a story thread is presented at the beginning of every episode, which involves the characters in separate and seemingly unrelated situations. Rapid scene-shifts between plot lines bring the stories together. Even though it does not follow a pattern as other sitcoms, the character's story variously intertwines in each episode. Despite the separate plot strands, the narratives reveal the creators' "consistent efforts to maintain the intimacy" among the small cast of characters.[33]

The show maintains a strong sense of continuity—characters and plots from past episodes are often referenced or expanded upon. Occasionally, story arcs span multiple episodes and even entire seasons. For example, Jerry's girlfriend Vanessa appears in "The Stake Out" and he ends the relationship when things do not work out in "The Stock Tip". Other examples are Kramer getting his jacket back and Elaine heading the "Peterman catalog". Larry David, the head writer and executive producer for the first seven seasons, was praised for keeping a close eye on minor details and making sure the main characters' lives remained consistent and believable. Curb Your Enthusiasm—David's later comedy series— expanded on this idea by following a specific theme for all but one season in the series.

A major difference between Seinfeld and sitcoms which preceded it is that the principal characters never learn from their mistakes. In effect, they are indifferent and even callous towards the outside world and sometimes toward each other. A mantra of the show's producers was: "No hugging, no learning."[34] Entertainment Weekly's television critic Ken Tucker has described them as "a group dynamic rooted in jealousy, rage, insecurity, despair, hopelessness, and a touching lack of faith in one's fellow human beings."[35] This leads to very few happy endings, except when they come at someone else's expense. More often in every episode, situations resolve with characters getting a justly deserved comeuppance.

Jerry's apartment building

Seasons 1–3

The show premiered as The Seinfeld Chronicles on July 5, 1989. After it aired, a pickup by NBC did not seem likely and the show was offered to Fox, which declined to pick it up. Rick Ludwin, head of late night and special events for NBC, however, diverted money from his budget by canceling a Bob Hope television special, and the next four episodes were filmed.[36][37] These episodes were highly rated as they followed Cheers on Thursdays at 9:30 p.m., and the series was finally picked up. At one point NBC considered airing these episodes on Saturdays at 10:30 p.m., but gave that slot to a short-lived sitcom called FM. The series was renamed Seinfeld after the failure of short-lived 1990 ABC series The Marshall Chronicles.[38] After airing in the summer of 1990, NBC ordered 13 more episodes. Larry David believed that he and Jerry Seinfeld had no more stories to tell, and advised his partner to turn down the order, but Seinfeld agreed to the additional episodes.[37] Season two was bumped off its scheduled premiere of January 16, 1991, due to the outbreak of the Persian Gulf war. It settled into a regular time slot on Wednesdays at 9:30 p.m. and eventually flipped with veteran series Night Court to 9:00.[39]

Seinfeld was championed by television critics in its early seasons, even as it was slow to cultivate a substantial audience. For the first three seasons, Jerry's stand-up comedy act would bookend an episode, even functioning as cut scenes during the show. A few episodes set a benchmark for later seasons. "The Deal" establishes Jerry and Elaine's relationship by setting rules about sleeping together and remaining friends.[40] "The Parking Garage" was the first episode shot without an audience for the episode, as well as not showing Jerry's apartment, after "The Chinese Restaurant.[41] "The Keys" contains a crossover to CBS show Murphy Brown, marking the first such cooperation between rival networks.[42] "The Busboy" introduces George, Kramer and Elaine as having their own storylines for the first time. Although Glenn Padnick thought Jerry Seinfeld was too generous, showcasing his co-stars' comedic talent became a trademark throughout the series.[43]

Larry Charles wrote an episode for season two, "The Bet", in which Elaine buys a gun from Kramer's friend. This episode was not filmed because the content was deemed unacceptable, and was replaced by the episode "The Phone Message".[44] "The Stranded", aired in season three, was intended for season two. In the beginning of this episode, Jerry clears up the continuity error over George's real estate job.[45]

Seasons 4–5

Season four marked the sitcom's entry into the Nielsen ratings Top 30, coinciding with several popular episodes, such as "The Bubble Boy", in which George and the bubble boy are arguing over Trivial Pursuit,[46] and "The Junior Mint" in which Kramer and Jerry accidentally fumble a mint in the operating room.[47] This was the first season to use a story arc, in which Jerry and George work create their own sitcom, Jerry. Also at this time, the use of Jerry's stand-up act slowly declined, and the stand-up segment in the middle of Seinfeld episodes was cut.

Much publicity followed the controversial episode, "The Contest", an Emmy Award-winning episode written by co-creator Larry David, whose subject matter was considered inappropriate for prime time network television. To circumvent this taboo, the word "masturbation" was never used in the script, instead substituted by a variety of oblique references.[48] Midway through that season, Seinfeld was moved from its original 9:00 p.m. time slot on Wednesdays to 9:30 p.m. on Thursdays, following Cheers again, which gave the show even more popularity. The move was also sparked by ratings, as Tim Allen's sitcom Home Improvement on ABC had aired at the same time and Improvement kept beating Seinfeld in the ratings. NBC moved the series after Ted Danson announced the end of Cheers and Seinfeld quickly surpassed the ratings of the 9:00 p.m. Cheers reruns that spring.[49] The show won an Emmy Award for Outstanding Comedy Series in 1993, beating out its family-oriented and time-slot competitor Home Improvement, which was only in its second season on fellow network ABC.

Season five was an even bigger ratings-hit, consisting of popular episodes such as "The Puffy Shirt" in which Jerry feels embarrassed wearing the "pirate" shirt on The Today Show,[50] "The Non-Fat Yogurt" featuring Rudy Giuliani, the Republican mayor of New York at the time,[51] and "The Opposite" in which George does the opposite of his instincts that lands him in the "New York Yankees" and Elaine leaves "Pendant Publishing" because of a comedy of errors that led to its demise. Another story arc has George returning to live with his parents. In the midst of the story arc, Kramer creates and promotes his coffee table book.[52] The show was again nominated for Outstanding Comedy Series, but lost to the Cheers spin-off Frasier, then in its first season. Seinfeld was nominated for the same award every year for the entire run but always lost to Frasier, which went on to win a record 39 Emmy Awards.

Seasons 6–7

With season six, Andy Ackerman replaced Tom Cherones as director of the show. The series remained well-regarded and produced some of its most famous episodes, such as "The Beard" in which Jerry is put through a lie detector test, to make him claim that he did watch Melrose Place,[53] "The Switch", in which Kramer's mother, Babs, revealed that his first name is Cosmo [54] and "The Understudy" when Elaine meets J. Peterman for the first time.[55] Story arcs used in this season were Elaine working as a personal assistant to her eccentric boss Justin Pitt, as well as George's parents' temporary separation. This was the first season in which Seinfeld reached Number 1 in the Nielsen Ratings. The use of Jerry's stand-up act declined with the end stand-up segment no longer used as the storylines for all four characters grew more dense.

In season seven, a story arc involved George getting engaged to his former girlfriend, Susan Ross, after the unsuccessful pilot Jerry. He spends most of the season regretting the engagement and trying to get out of it. Along with the regular half hour episodes, two notable one-hour episodes include "The Cadillac" in which George plans to date an award winning actress Marisa Tomei [56] and "The Bottle Deposit" with Elaine and Sue Ellen participating in a bidding war to buy JFK's golf clubs in an auction.[57]

Following the anthrax scare of 2001, the episode, "The Invitations" was temporarily held back from syndication due to the concern that it might seem objectionable and insensitive to portray Susan's death caused by licking toxic envelopes.[58]

Seasons 8–9

The show's ratings were still going strong in its final two seasons (8 and 9). Larry David left at the end of season seven (although he continued to voice Steinbrenner), so Seinfeld assumed David's duties as showrunner, and, under the direction of a new writing staff, Seinfeld became a faster-paced show. The show no longer contained extracts of Jerry performing stand-up comedy (Jerry had no time or energy for this with his new roles), and storylines occasionally delved into fantasy and broad humor. For example, in the episode titled "The Bizarro Jerry", Elaine is torn between exact opposites of her friends and Jerry dates a woman who has the now-famed "man hands".[59] Some notable episodes from season eight include "The Little Kicks" showing Elaine's horrible dancing,[60] and "The Chicken Roaster" which depicts the Kenny Rogers Roasters chicken restaurant which opened during that time.[61] A story arc in this season involves Peterman going to Burma in "The Foundation" [62] until he recovered from a nervous breakdown in "The Money",[63] followed by Elaine writing Peterman's biography in "The Van Buren Boys" [64] which leads to Kramer's parody of Kenny Kramer's Reality Tour seen in "The Muffin Tops".[65]

The final season included episodes such as "The Merv Griffin Show" in which Kramer converts his apartment into a talk-show studio and plays the character of talk-show host,[66] "The Betrayal" that follows in reverse chronology order of what happened to Sue Ellen's wedding in India, and "The Frogger", in which George pushes a Frogger machine across the street.[67] The last season included a story arc in which Elaine has an on/off relationship with David Puddy. Despite the enormous popularity and willingness from the cast to return for a tenth season, Seinfeld decided to end the show after season nine in an effort to maintain quality and "go out on top". NBC offered him $110 million but he declined the offer.[68]

A major controversy caused in this final season was the accidental burning of a Puerto Rican flag by Kramer in "The Puerto Rican Day". This scene caused a furor among Puerto Ricans, and as a result, NBC showed this episode only once. However, Jerry Seinfeld defused the protestors by allowing this episode to continue in syndication, as revealed in "Inside Look" on DVD.[69]

Series finale

After nine years on the air, NBC and Jerry Seinfeld announced on December 25, 1997, that the series would end production the following spring in 1998. The announcement made the front page of the major New York newspapers, including the New York Times. Jerry Seinfeld was featured on the cover of Time magazine's first issue of 1998.[70] The series ended with a 75-minute episode (cut to 60 minutes in syndication, in two parts) written by co-creator and former executive producer Larry David, which aired on May 14, 1998. Before the finale, a 45-minute retrospective clip show, "The Chronicle", was aired. The retrospective was expanded to sixty minutes after the original airing and aired again on NBC as an hour-long episode, and has since aired in syndication.

It was the first episode since the finale of season seven, "The Invitations", to feature opening and closing stand-up comedy acts by Jerry Seinfeld. The finale was filmed before an audience of NBC executives and friends of the show. The press and the public were shut out of the taping for the sake of keeping its plot secret, and those who attended the shoot of the final episode signed written "vows of silence."[71] The secrecy only seemed to increase speculation on how the series would end. The producers of the show tweaked the media about the hype, spreading a false rumor about Newman ending up in the hospital and Jerry and Elaine sitting in a chapel, presumably to marry.[72]

The final episode enjoyed a huge audience, estimated at 76 million viewers (58 percent of all viewers that night) making it the third most watched finale in television history, behind M*A*S*H and Cheers. However, the finale received mixed reviews from critics and fans of the show. The finale poked fun at the many rumors that were circulating, seeming to move into multiple supposed plots before settling on its true storyline—a lengthy trial in which Jerry, George, Elaine and Kramer are prosecuted for violating a "Good Samaritan law" and are sentenced to jail.

According to Forbes magazine, Jerry Seinfeld's earning from the show in 1998 was US$267 million.[73] He refused NBC's offer of $5 million per episode, or more than $100 million total, to continue the show into a tenth season. Seinfeld told the network that he was not married and had no children, and wished to focus on his personal life.[74][37] As reported in July 2007, he was the second-highest earner in the television industry, earning at the time $60 million a year.[75] The show became the first television series to command more than $1 million a minute for advertising–a mark previously attained only by the Super Bowl.[76] According to Barry Meyer, chairman of Warner Bros. Entertainment, Seinfeld has made $2.7 billion through June 2010.[77]

Broadcast history

Season Time Slot
1 (1990) Thursday at 9 30 pm
2 (1991) Wednesday at 9:30 pm (January 23, 1991 - February 13, 1991, June 26, 1991)
Thursday at 9:30 pm (April 5, 1991 - May 23, 1991)
3 (1991–1992) Wednesday at 9:30 pm (September 18, 1991 - December 4, 1991, January 29, 1992)
Wednesday at 9:00 pm (December 11, 1991 - January 15, 1992, February 5, 1992 - May 6, 1992)
4 (1992–1993) Wednesday at 9:00 pm (August 12, 1992 - January 27, 1993)
Thursday at 9:30 pm (February 4, 1993 - May 13, 1993)
Thursday at 8:00 pm (May 20, 1993)
5 (1993–1994) Thursday at 9:00 pm
6 (1994–1995)
7 (1995–1996)
8 (1996–1997)
9 (1997–1998) Thursday at 9:00 pm (September 25, 1997 - May 7, 1998)
Thursday at 8:00 pm (May 14, 1998)

Seinfeld in HD

There are two high-definition versions of Seinfeld. The first is that of the network television (non-syndicated) versions in the original aspect ratio of 4:3 that were downscaled for the DVD releases.[78] Syndicated broadcast stations and the cable network TBS began airing the syndicated version of Seinfeld in HD. Unlike the version used for the DVD, Sony Pictures cropped the top and bottom parts of the frame, while restoring previously cropped images on the sides, from the 35 mm film source, to use the entire 16:9 frame. The TBS airings were edited to reduce running time, cutting certain lines—even rearranging the position of the stand-up scenes—and showing the credits earlier during the last scenes.[79]

Reception

Elizabeth Magnotta and Alexandra Strohl analyze the success of Seinfeld with recourse to the incongruity theory of humor: "The Incongruity Theory claims that humor is created out of a violation of an expectation. For humor to result from this unexpected result, the event must have an appropriate emotional climate, comprised of the setting, characters, prior discourse, relationships of the characters, and the topic."[80] Specifically, Magnotta and Strohl focus on "The Marine Biologist", in which George is embroiled in yet another lie, and on "The Red Dot", in which George tries to save a few dollars at Elaine's expense by giving her a marked-down cashmere sweater.

David P. Pierson treats Seinfeld as a comedy of manners: "[T]he popular TV sitcom can best be associated with the modern comedy of manners dramatic genre. ... These dramas are distinguished by their emphasis on a strong sense of style, deportment, and a witty repartee that is used to conceal the raw emotions which lie just beneath the surfaces of the dramatic lives of its characters."[81]

Nod Miller, of the University of East London, has discussed the self-referential qualities of the show:

Seinfeld is suffused with postmodern themes. To begin with, the boundary between reality and fiction is frequently blurred: this is illustrated in the central device of having Jerry Seinfeld play the character Jerry Seinfeld. In the show's fourth season, several episodes revolved around the narrative of Jerry and George (whose character is co-creator Larry David's alter ego) pitching 'a show about nothing' based on the everyday life of a stand-up comedian to NBC. The reaction of the fictional NBC executives, by all accounts, mirrored the initial responses of those who eventually commissioned Seinfeld. The fourth season ends with 'The Pilot', an episode focusing on the casting, taping and screening of the show-within-the-show, Jerry. This episode also illustrates neatly the self-referential quality which is one of Seinfeld's hallmarks. The series finale was so replete with references to earlier shows as to render it largely incomprehensible to those not already well-versed in the personae and preoccupations of the Seinfeld universe.[82]

William Irwin has edited an anthology of scholarly essays on philosophy in Seinfeld and Philosophy: A Book about Everything and Nothing. Some entries include "The Jerry Problem and the Socratic Problem," "George's Failed Zest for Happiness: An Aristotelian Analysis," "Elaine's Moral Character," "Kramer the 'Seducer'," "Making Something Out of Nothing: Seinfeld, Sophistry and the Tao," "Seinfeld, Subjectivity, and Sartre," "Mr. Peterman, the Wicked Witch of the West, and Me," and "Minimally Decent Samaritans and Uncommon Law."[83]

U.S. television ratings

Seinfeld season rankings in the U.S. television market
Season Episodes Original air dates TV season Nielsen ratings
Season premiere Season finale Rank Rating Viewers (in millions)
  1 5 July 5, 1989 June 21, 1990 1989–90 N/A N/A 19.26
  2 12 January 23, 1991 June 26, 1991 1991 18.07
  3 23 September 18, 1991 May 6, 1992 1991–92 #42 17.66
  4 24 August 12, 1992 May 20, 1993 1992–93 #25 13.7 20.91
  5 22 September 16, 1993 May 19, 1994 1993–94 #3 19.6 29.59
  6 24 September 22, 1994 May 18, 1995 1994–95 #1 20.6 30.06
  7 24 September 21, 1995 May 16, 1996 1995–96 #2 21.2 33.19
  8 22 September 19, 1996 May 15, 1997 1996–97 20.5 32.48
  9 24 September 25, 1997 May 14, 1998 1997–98 #1 21.7 38.03 (32.15[1])
1.^ Excluding The Finale (76.26 million viewers) and The Clip Show (58.53 million viewers)

Awards and nominations

Seinfeld has received awards and nominations in various categories throughout the mid-1990s. TV Guide has named it the greatest show of all time.[84] It was awarded the Emmy for "Outstanding Comedy Series" in 1993, Golden Globe Award for "Best TV-Series (Comedy)" in 1994 and Screen Actors Guild Award for "Outstanding Performance by an Ensemble in a Comedy Series" in 1995, 1997 and 1998.[85][86][87][88] Apart from these, the show was also nominated for an Emmy award from 1992 to 1998 for "Outstanding Comedy series", Golden Globe award from 1994 to 1998 for "Best TV-Series (Comedy)", and Screen Actors Guild Award for "Outstanding Performance by an Ensemble in a Comedy Series" from 1995 to 1998.[89]

Consumer products

A recurring feature of Seinfeld was its inclusion of specific products, especially candy, as plot points. These might be a central feature of a plot (e.g. Junior Mints, Twix, Jujyfruits, bite size Three Musketeers, Snickers, Nestlé Chunky, Oh Henry! and PEZ), or an association of candy with a guest character (e.g. Oh Henry! bars), or simply a conversational aside (e.g. Chuckles, Clark Bar, Twinkies). A large number of non-candy products were featured throughout the series.

The show's creators claim that they were not engaging in a product placement strategy for commercial gain. One motivation for the use of real-world products, quite unrelated to commercial considerations, is the comedy value of funny-sounding phrases and words. "I knew I wanted Kramer to think of watching the operation like going to see a movie", explained Seinfeld writer/producer Andy Robin in an interview published in the Hollywood Reporter. "At first, I thought maybe a piece of popcorn falls into the patient. I ran that by my brother, and he said, 'No, Junior Mints are just funnier.'"[90]

Many advertisers capitalized on the popularity of Seinfeld. American Express created a webisode in which Jerry Seinfeld and an animated Superman (voiced by Patrick Warburton, who played the role of David Puddy) starred in its commercial. The makers of the Today Sponge created the "Spongeworthy" game, on their website, inspired by the episode "The Sponge". An advertisement featured Jason Alexander in a Chrysler commercial. In this, Alexander behaves much like his character George, and his relationship with Lee Iacocca plays on his George's relationship with Steinbrenner. Similarly, Michael Richards was the focus of a series of advertisements for Vodafone which ran in Australia where he dressed and behaved exactly like Kramer, including the trademark bumbling pratfalls.

In addition, the show occasionally incorporated fictional products such as a Scotch brand called "Hennigan's" (a portmanteau of "Hennessy" and "Brannigans") and a canned meat product called "Beef-a-reeno" (a parody of "Beef-a-roni").

DVD releases

Sony Pictures Home Entertainment released all nine seasons of Seinfeld on DVD in Regions 1, 2 and 4 between 2004 and 2007.[91] On November 6, 2007, Seinfeld: The Complete Series was released on DVD. The final season and the complete series set included a 2007 reunion of the four main cast members and Larry David.

After Seinfeld

Saturday Night Live

On an episode of Saturday Night Live hosted by Jerry Seinfeld on October 2, 1999, a sketch showed what life was like for Jerry behind bars after being transferred to the fictional prison portrayed on the HBO series Oz.[92] The four-minute sketch shows the opening credits for the HBO series with clips of Jerry doing various activities around the prison. The sketch continues and mixes in different story lines from both Oz and Seinfeld and has Jerry interacting with various characters from the show in his typical quick-witted, sarcastic way.[93][94] The sketch does not include any characters from Seinfeld other than Jerry.

The Seinfeld "curse"

Louis-Dreyfus, Alexander and Richards have all attempted to launch new sitcoms as title-role characters. Despite acclaim and even respectable ratings, almost every show was canceled quickly, usually within the first season. This gave rise to the term Seinfeld curse: the failure of a sitcom starring one of the three, despite the conventional wisdom that each person's Seinfeld popularity should almost guarantee a strong, built-in audience for the actor's new show. Shows specifically cited regarding the Seinfeld curse are Julia Louis-Dreyfus' Watching Ellie, Jason Alexander's Bob Patterson and Listen Up!, and Michael Richards' The Michael Richards Show. Larry David said of the curse, "It's so completely idiotic. It's very hard to have a successful sitcom."[95]

This phenomenon was mentioned throughout the second season of Larry David's HBO program Curb Your Enthusiasm. However, the Emmy award-winning success of Julia Louis-Dreyfus in the CBS sitcom The New Adventures of Old Christine led many to believe that she had broken the curse.[96] In her acceptance speech, Louis-Dreyfus held up her award and exclaimed, "I'm not somebody who really believes in curses, but curse this, baby!"[97] The show was on the air for five seasons starting March 13, 2006 before its cancellation on May 18, 2010; the series produced enough episodes to air in reruns in syndication for several years, something the other shows did not achieve.[98] The Saturday Night Live episode guest-hosted by Louis-Dreyfus made references to the curse. Dreyfus went on to the 2012 HBO comedy series Veep and won another Emmy for her role as the Vice President of the United States.

Another scene

On the November 1, 2007, episode of The Daily Show with Jon Stewart, Jerry Seinfeld mentioned the possibility of shooting one last scene, after they leave prison. He mentioned he is too busy to do it now, but did not announce what the scene would entail as it is still a possibility it will be produced.[99] In commentary from the final season DVD, Jerry Seinfeld outlines that he and Jason Alexander spoke about this scene being in Monk's Cafe, with George saying "That was brutal" in reference to the foursome's stint in jail.[100]

Curb Your Enthusiasm 2009 reunion

Early in March 2009, it was announced that the Seinfeld cast would reunite for Curb Your Enthusiasm 's season seven.[101] The cast first appeared in the third episode of the season, all playing themselves. The season-long story is that Larry David tries to initiate a Seinfeld reunion show as a ploy to get ex-wife, Cheryl, back. Along with the four main characters, some Seinfeld supporting actors such as Wayne Knight, Estelle Harris and Steve Hytner appeared in the ninth episode at a table read for the reunion show. Though much dialogue in Curb Your Enthusiasm is improvised, the plot was scripted, and the Seinfeld special that aired within the show was scripted and directed by Seinfeld regular Andy Ackerman, making this the first time since Seinfeld went off the air that the central cast appeared together in a scripted show.

Author:Bling King
Published:Aug 13th 2013
Modified:Aug 13th 2013
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There is no such thing as time
Posted by Bling King

    

     Upon further ponderance I have come to the conclusion that time does not exist except in the law of physics. I have come to this conclusion through the observation of how things change and why they change at the pace in which they change. To me it seems that every change that takes place  in the universe is not dictated by time but rather physics. It is the law of physics that dictates the rate and speed at which all things change. For example if you have a car  that is traveling at 100 miles an hour the speed at  which the car travels is all dictated by physical changes and therfor controlled by the law of physics..Therfor it seems that for any change to take place all you need is physics and the law of physics that governs the physical changes. Time does not need be a factor and bears no relavance. As long as we have the law of physics everything will happen in accordance with those laws.

The composition of time
Posted by Bling King

   

    Time has 3 components. A front a middle and a rear. In the front time has what appears to be something of perspectual perspectualness that will move things forward at a set forth proponent. This part of time is easy to see and witness. However it is not easy to predict at which point time will make forward momentum happen. It would seem that this forward momentum is always in inactment but I would disagree with this. To me it seems more as if time interacts with things on its own accord leaving somethings unchanged for long standing periods of time. An example of this would be how time occasionally interacts with the speed of light. The speed of light remains constant but occasionally time will manifest itself into the equation and make modifications of the speed that light travels. For instance light will move forward forthwittingly at a billion miles a second but if it encounters any kind of resistance then time will inject itself and change the speed at which it was moving. Which leads me to the assumption that in order for time to inject itself into any equation a proponent has to take place that makes a physical change that would cause time to interject itself. If no physical change takes place than time has also not been a factor.

    The middle proponent of time is the area in which time is manipulating  the change that takes...Read More

👄What turns me on
Posted by Bling King

    I get turned on by some funny stuff. I'm not really into like full blown kinkiness or at least I wouldn't consider myself to be a kinky person but I do have a few fetishes. Some of them are a little out of the ordinary. For instance I have this one fetish about being tied up  and thrown in the ocean and then rescued by a mermaid. I think this fantasy comes from when I was a kid and I used to dream of mermaids and always wanted to meet one. Well one day its gonna happen. Now don't go telling me mermaids don't exist. You don't know cause they are in fact real and as soon as I meet one I will prove it to you. As far as some of my other turn ons  I guess what really gets me excited is people who  tell other people to shut the fuck up. I love when a woman just looks at a man and tells him to shut his mouth. To me thats a big turn on because the woman seems assertive like a dominatrix or something. If she will be assertive in a conversation she will be assertive in the bedroom or so I  would like to believe.

Time is a dialectable derelict
Posted by Bling King

To fathom the fortrighteousness of time one has to contemplate the personification of forthwittial forthwittil. Time forthwittingly will only listen to the commands of its on inner personification to which there is no directional direction or so it would seem but on further inquisitories I have come to realize that there is a forthwittingly forthwittal of which time has pronounced and those commands seem to speak to the nature of to which time corresponds. To review these pronouncements for your own bemusement look at time as if you had it captured it  in a bottle. What would happen? We know on the inside of the bottle time would force the inner workings of the bottle to correspond to times diabolical commands. Causing everything to change to times everlescent rules. however on the outside of the bottle things would not change, everything would stay in constant neutrality or would it? The question remains if there was no time would things still be allowed to happen and if so at what pace and what would dictate the pace at which things would change. There seems to be no rule in place for the dictation of the pace change which takes place. So it would seem that time has decided that factor somehow within itself. There could be a correlation at which things change and the pace being dictated by physics and the amount the physical world can be allowed to change within its own accord of set boundaries. To actually find...Read More

Free from time constraints
Posted by Bling King

 

 

 

There was a time when time did not matter. The thing that was an utmost relevance now was of no matter. The diffrence it made seemed miniscule and now it is constantly dictating everything that takes place before me. What is this thing that controls and makes everything manifest itself to its constraints and why and how does it do this. Time is nothing but the utmost miracle before us. Something that has always had to exist for anything ever to take place. There is no changing its course there is no variance in its absolute everlasting existance. To control time would be the utmost  crown jewel of all accomplishments if indeed it could ever be controlled. The only way I ever see time being manipulated to change its values is to speed up everything that time has interacted with. In order to do such a thing you would have to understand the nature of the objects in question and how they are effected by time. For instance a speeding car will slow down in time without constant force being distrubuted by the engine. To slow down the car one only has to take their foot off the accelarator and gradually time will do the rest but if you could freeze time at the speed at which the car was traveling then time would not  exist because the...Read More

the truth about time
Posted by Bling King

        I have looked at time many times and I have noticed a few components. There is a precise proponent that ushers in a manifestation. Whenever something new is going to happen you can look at that event which is about to take place and precisely predict exactly when it has started. Once you realize a manifestation has taken place you can precisely predict its out come. If you know that a manifestation has started to take place then you will know you are being guided through the realm precisely by the forces of an enlightenment. Throughout time this manifestation will remain constant starting with a beginning and an end and ending in a preconcieved enlightenment. Sometimes an enlightenment can take weeks and some times an enlightenment can take centuries. It depends on how many times that enlightenment has been benounced to the realm. 

 

nothing
Posted by Bling King

I suspect a suffcient of sufficence of suffiacantel suffiance of suffiance of absurdity of absurdanace. In all actual actuality there is an  actual actuality of actualityness in retrospect to the retorospective respect in which every person who has an intellectual intellect can see that the world is a prominance of prominance in which the order will reside as long as the order is maintained. Once that order is relinquished chaos will ensue. For chaos to be a calamity there only needs to be a perspectual perspective of perspectance that escalates the chaos to that height. What would cause that is a person or persons in the realm of the realmatical realmatics looking beyond thier own existance to the existance of there forfathers to see what has become of thier existance. If you look at your own existance for what it is you will see that it is neither logical nor illogical for it makes all the sense of a sensimatical sensematic. As long as you have a reason for your own existance then it is fruitful for you to exist. Once that reason or reasons are gone you will no longer care whether it is you live or die. In the realm in which we live is a prospectus prospectant of prospectantin which all will ensue. To change the prospectus prospectus you need to look to the realm and see what the prospectus prospectant is and manifest it to your own liking. My...Read More

The conclusive conclusion
Posted by Bling King

In all actual reality the realm is manifested of certain procedural procedures that come forth frequently to forthrightous forthrightenous. In the place of predicament I have found that I can properly place things in the procedural sequence unbenowst to people of the realm. In order to conflict the conflictions you have to equate the equation of equationalness in to proper equations. Very simple but also very tedious. You do this by equating the equation into percise preciseness. An example of an equation would be a placement of perdicament of a certain event in which you wish it to be. The next manifestation I could manifest is a manifestual manifestation of manifests of a sequance of certainal circumstances. Put together a sequence by asking the sequence in order to manifest itself and then tell the manifestations to happen in frequence in which they will unfold.

The Unattainable future
Posted by Bling King

     If the future is a grain of sand and its falling through an hour glass nothing in the world can stop it. It will eniquivaocalby blind as to where its going when it comes to its rest it has befallen its fate and will remain where it lay for an eternity knowing nothing about itself or it's surroundings. I am that grain of sand. Nothing ever can change my destiny for only time here makes a diffrence.. To benounce the future is the only way to change ones fortune. The time it takes to make an equivical change remains the utmost mystery of the universe.

🤯In the eyes of myself
Posted by Bling King

 

 

There where three men. All who seemed frightened. They stood on the edge of the canyon looking on as a fourth man tumbled to his death. We could have saved him said one of the men. He should have saved himself said another. The third man just look at them bewildered and brought a handgun to his own head and pulled the trigger. Blood spattered. The two men watched as he slumped to the ground. The first man screamed and the second threw himself to the side of the man on the ground. Why?!! he screamed. It was the only sound heard. Sobbing he looked at the man standing and said you did this! You and your frigging righteous speech about the lives we leave and the sacrifice we must make. Your the devil. I am not the devil said the standing man only the truth. The truth about what? The other man screamed. Your life he said and he jumped.

The man heard a ringing and he sat up slowly. It was over the dream but his thoughts where still on the side of the canyon. How did this happen. How did it all just fade away? The dream came and went in an instant leaving his mind boggled and his eyes heavy. I knew I was there thought the man but how? It was all to familiar the...Read More

The story Elijah and Ellen
Posted by Bling King

The story of Elijah and Ellan. This is the story of Elijah and Ellan. Ellan is a beutiful temptress and Elijah is a dutiful servant of Ellan's. Together the pair fell in love and soon became a duo of in excessible excession. They frolicked in the sun under the rare occurance of rain they took shelter in the arms of each other. One day while hiding from the glares of the sun under an oak tree that provided an abundance of shade they looked into each others souls and realized there where no people suited for each other then the two of them where suited for each other. They basked in the notion that they where the most two compatible souls on the planet. As they where thinking this a giant unforseen acclamaited acclamation occurred. The planet began to tremble and shake beneath them and the stars came out. The sun hid amongst the clouds and everything from start to finish began to take shape. There where huge explosions and giant surges of wind and rain. The two began to run for their shelter knowing at the exact moment the trembling and violent agressions of unacclaimated weather started that they most likely wouldn't make it to see another sunrise. The planet was exploding with molten lava and the tempertures where unbearable as for the two of them could remember they had never seen a winter climate and didn't expect they ever would. The planet had been warming out of...Read More

today was a day of dismal despair
Posted by Bling King

Things have gone down hill drastically now for a very long time. We seem to be some what defeated but yet i know we still have some power and prominance. We are fighting an up hill battle and there is no way forward from here from what i can see. We are trudging along a path that goes nowhere.

⚔️The Greatest Warrior of All Time
Posted by Bling King

 

 

Today i conquered and beat all adverseries there where to beat. Tomorrow new adversaries will arise. I will be ready, there is never a shortage of enemies who wish to dethrone me from the top of the world. I didn't get here by being passive and yeilding to the oppostion. I got here by defeating them both mentally and physically and in entiriety.

In a time of desilute despair
Posted by Bling King

     There was a time when I was in desilute despair. The only thing I had was me myself and I to fall back on. I looked at the person who was my opponent and I knew one of  us was going to die and I was going to do everytrhing I could to make dam sure it wasn't me. I pulled my six shooter from its holster and aimed at the guy looking at me  about 30 yards away. He also went for his gun and in lightning speed he was laid sprawled out on the dirt bleeding and moaning. I had heard a shot but new that it had come from my own gun. He never even got a shot off. I was unscathed and again undeafeted. Anybody who ever tried to kill me was dead and their where over 30 who had tried and failed to kill yours truly.

Gravity
Posted by Bling King

Gravity is the force of nature that pulls cellestrial bodies toward one another. The cause of gravity is the enertia of a bodies movement through space and time. This happens by an object preconcievably traveling through the cosmos at an alarming rate of acceleration. The faster an object travels the more enertia it will build up and then will therefore have a greater ability to move. the more it moves the more other objects will cling to it. the way this can be proved is by taking an object and hurtling it towards another object the two objects would collide do to the enertia pulling them towards each other. Thy would not stay on their current trajectory but their paths would alter towards one another in a greater force than their initial gravitational pull. the best test to accomodate this theory would be tow baseballs flying through the air at speeds over one hundred miles an hour. The baseballs would not interject themselves with one another normally but at this speed would do so do to the balls enertia pulling them towards one another.

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