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Pink Floyd Shine On You Crazy Diamond

Pink Floyd - Shine On You Crazy Diamond

Shine On You Crazy Diamond

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"Shine On You Crazy Diamond"
Song by Pink Floyd from the album Wish You Were Here
Published Pink Floyd Music Publishers Ltd
Released 15 September 1975
Recorded January – July 1975
Genre Progressive rock, art rock, jazz-rock, blues rock
Length 26:05 (All parts)
13:37 (Parts I–V)
12:28 (Parts VI–IX)
Label Harvest (UK)
Columbia/CBS (US)
Writer Richard Wright, Roger Waters, David Gilmour
Producer Pink Floyd
Wish You Were Here track listing
 

"Shine On You Crazy Diamond" is a nine-part Pink Floyd composition written by Roger Waters, Richard Wright and David Gilmour. It is a tribute to former band member Syd Barrett. The song was first performed on their 1974 French tour, and recorded for their 1975 concept album Wish You Were Here. The song was intended to be a side-long composition (like "Atom Heart Mother" and "Echoes"), but was ultimately split into two parts and used to bookend the album, with new material composed that was more relevant to this song, and to the situation in which the band found themselves.[1]

Background and composition

"Shine On You Crazy Diamond", along with the rest of the album,[2] was written about the band's former leader, Syd Barrett.[3] The song is a suite of nine parts, that was originally planned to take up the first side of the LP.[4] "Shine On You Crazy Diamond" was written at the same time as "You've Got to Be Crazy" ("Dogs") and "Raving and Drooling" ("Sheep").[4] The lyrics, apart from referring to Barrett, are also about music fame.[4] The first verse speaks specifically about Barrett:[4]

Remember when you were young, you shone like the sun
Shine on you crazy diamond
Now there's that look in your eyes, like black holes in the sky
Shine on you crazy diamond.

Recording

Bassist Roger Waters commented, as the sessions were underway, that "at times the group was there only physically. Our bodies were there, but our minds and feelings somewhere else."[5] Eventually an idea was raised to split the song in two, Parts I–V and Parts VI–IX.[5] According to guitarist David Gilmour and drummer Nick Mason on the Wish You Were Here episode of In the Studio with Redbeard, Pink Floyd recorded a satisfactory take of "Shine On You Crazy Diamond", but because of a new mixing console which was installed at Abbey Road Studios, it needed to be re-recorded because excessive 'bleed' from other instruments could be heard on the drum tracks.[6] On part 3, a piano part seems to have been added "live" to the final mix, making it absent from multitracks masters. That part was re-recorded by pianist Richard Wright during the multi-channel mix used for the album Immersion Edition and the SACD release.[7]

We originally did the backing track over the course of several days, but we came to the conclusion that it just wasn't good enough. So we did it again in one day flat and got it a lot better. Unfortunately nobody understood the desk properly and when we played it back we found that someone had switched the echo returns from monitors to tracks one and two. That affected the tom-toms and guitars and keyboards which were playing along at the time. There was no way of saving it, so we just had to do it yet again.
—David Gilmour, An Interview with David Gilmour by Gary Cooper[6]
With the invention of 16-track and 2-inch tape there was the belief for quite a while that there would be something wrong with editing tape that big. Consequently whenever we played these pieces, they had to be played from beginning to end. Particularly for Roger [Waters] and myself being the rhythm section, which would be laid down first, this was [chuckling] a fairly tough business because the whole thing had to be sort of right.
—Nick Mason, In the Studio with Redbeard
Syd Barrett, visiting Abbey Road Studios on 5 June 1975

In another incident, Barrett (heavyset, with a completely shaved head and eyebrows) wandered into the studio while the band was recording Wish You Were Here, although Mason has since stated that he is not entirely certain whether "Shine On You Crazy Diamond" was the particular song being recorded when Barrett was in the studio. Because of his drastically changed appearance, the band could not recognise him for some time. When they eventually recognised Barrett, Roger Waters was so distressed he was reduced to tears.[1] Someone asked to play the song again and Barrett said a second playback wasn't needed when they'd just heard it. Apparently, when "Wish You Were Here" was played, "He [Barrett] stood up and said, 'Right, when do I put my guitar on?'" Wright recalled. "And of course, he didn't have a guitar with him. And we said, 'Sorry, Syd, the guitar's all done.'"[8] When asked what he thought of Wish You Were Here, Barrett said it sounded a "bit old". He subsequently slipped away during celebrations for Gilmour's wedding to Ginger Hasenbein, which had taken place earlier that day.[9] Gilmour confirmed this story, although he could not recall which song they were working on when Barrett showed up.[10]

Roger was there, and he was sitting at the desk, and I came in and I saw this guy sitting behind him--huge, bald, fat guy. I thought, "He looks a bit...strange..." Anyway, so I sat down with Roger at the desk and we worked for about ten minutes, and this guy kept on getting up and brushing his teeth and then sitting--doing really weird things, but keeping quiet. And I said to Roger, "Who is he?" and Roger said "I don't know." and I said "Well, I assumed he was a friend of yours," and he said "No, I don't know who he is." Anyway, it took me a long time, and then suddenly I realised it was Syd, after maybe 45 minutes. He came in as we were doing the vocals for Shine On You Crazy Diamond, which was basically about Syd. He just, for some incredible reason he picked the very day that we were doing a song which was about him. And we hadn't seen him, I don't think, for two years before. That's what's so incredibly...weird about this guy. And a bit disturbing, as well, I mean, particularly when you see a guy, that you don't, you couldn't recognise him. And then, for him to pick the very day we want to start putting vocals on, which is a song about him. Very strange.

Musical analysis

As neither the original vinyl release (1975) nor the CD re-release actually delineates precisely the various parts, the make-up of the parts below is based on a comparison of the recorded timings with the identifications in the published sheet music. Without benefit of the publication, it is easy to perceive Parts I and II as Part I, Part III as Part II, and so on, with the extensive postlude of Part V (at 11:15) as the beginning of the fifth section.

Parts I–V

Part I (Wright, Waters, Gilmour; from 0:00 – 3:54) begins with the fade-in of a dense G-minor synthesizer pad created with an EMS VCS 3, ARP Solina, a Hammond organ and the sounds of wet fingers rubbing the rims of wine glasses (recycled from an earlier project known as "Household Objects"). This is followed by Minimoog passages followed by a lengthy, bluesy guitar solo played by Gilmour on a Fender Stratocaster (neck pickup) using a heavily compressed sound and reverb. The harmony changes from G minor to D minor at 2:29, then to C minor, and back to G minor. This is repeated again, and the part ends with the synth pad fading into the background.

Part II (Waters, Gilmour, Wright; from 3:55 – 6:26) begins with a four-note theme (B♭, F, G, E) repeated throughout much of the entire section. This theme leads the harmony to C major (in comparison to the use of C minor in Parts I and II). Mason starts his drumming after the fourth playing of the four-note theme, which is the point where the riffs get into a fixed tempo, in 6/4 time. The chord leads back to G minor (as from Part I), followed by Eb major and D major back to a coda from G minor. This part includes another solo by Gilmour.

Part III (Gilmour, Wright, Waters; from 6:27 – 8:41) begins with a Minimoog solo by Wright. This part includes Gilmour's third guitar solo, in the G natural minor scale, and ends with a fade into Part IV. When performed on the Animals tour, Gilmour added distortion to the guitar for this solo. This solo is often dropped in live performances while the rest of part III is still played—notably Delicate Sound of Thunder and Pulse.

Part IV (Waters, Gilmour, Wright; from 8:42 – 11:14) Roger Waters sings his lyrics, with Gilmour, Wright and female backing vocalists Venetta Fields and Carlena Williams on harmonies.

Part V (Waters, Gilmour, Wright; from 11:15 – 13:40) Part IV is followed by two guitars repeating an arpeggio variation on the main theme for about a minute with the theme of Part II. A baritone saxophone overlays the sounds, played by Dick Parry. The saxophone changes from a baritone to a tenor saxophone, as a time signature switch from 6/4 to 12/8 creates the appearance that the tempo doubles up, though the arpeggio guitar part in the background remains unchanged. The sax solo is accompanied by an ARP string synthesizer keyboard sound. A machine-like hum fades in with musique concrète and segues into "Welcome to the Machine".

Parts VI–IX

Part VI (Wright, Waters, Gilmour; from 0:00 – 4:55) begins with a howling wind from the preceding song "Wish You Were Here".[12] As the wind fades away, Gilmour comes in on the bass guitar. Waters adds another bass with a continuing riff pattern. Then Wright comes in playing an ARP String Ensemble Synthesizer and after a few measures, several rhythm guitar parts (Gilmour played the power chord rhythm part using his black Fender Stratocaster before switching to lap steel guitar for the solo in live performances from 1974–77. Snowy White did the rhythm guitar parts on this track on the band's 1977 "In the Flesh" tour) and drums come in, as well as a Minimoog synthesizer to play the opening solo. At the two-minute mark, Wright's Minimoog and Gilmour's lap steel guitar play notes in unison before Gilmour does a lap steel guitar solo (the lap steel had open E minor tuning) with some counterpointing from Wright's synthesizers. It lasts for about three minutes (four when played on the band's "In the Flesh" tour) and Gilmour played each section an octave higher than the previous one. The highest note he hit on the lap steel/slide solo was a B-flat nearly three octaves above middle C, followed by a reprise of the guitar solo from Part IV (which was played by White live on Pink Floyd's 1977 tour so Gilmour could switch from the lap steel guitar back to his Fender Stratocaster). The song then switches time signatures to 6/4 (found in Parts II-V), giving the appearance of a slower tempo and reintroducing the vocals.

Part VII (Waters, Gilmour, Wright; from 4:56 – 6:04) contains the vocals, almost identical to Part IV (though half the length) before segueing into Part VIII.

Part VIII (Gilmour, Wright, Waters; from 6:05 – 8:59) brings in Waters to play a second electric guitar for a high-noted sound riff while Gilmour plays the arpeggio riff that bridges Parts VII and VIII. A solid progression of funk in 4/4 plays for about two minutes before very slowly fading out as a single sustained keyboard note fades in around the nine-minute mark. Throughout this section, Wright's keyboards dominate, with the use of a Minimoog synthesizer, and a Hohner Clavinet. However, when this section was played live on the band's 1977 "In the Flesh" tour, the sound was filled out by both Gilmour and White, who would trade guitar solos in a duet (or known as the battle between Gilmour's black with white pick-ups Strat and White's Goldtop Gibson Les Paul) which would extend this section upwards to between five and ten minutes.

Part IX (Wright, from 9:00 – 12:31) is played in 4/4 time. Gilmour described Part IX in an interview as "a slow 4/4 funeral march... the parting musical eulogy to Syd". Again, Wright's keyboards dominate, with little guitar input from Gilmour. Mason's drums play for half of this part, and the keyboards play for the final minute before fading out. On the fade-out, a short keyboard part of the melody of "See Emily Play" (at 12:12), one of Barrett's signature Pink Floyd songs, can be heard; live versions additionally featured snippets of "Bike", "The Gnome", "The Scarecrow", and "Arnold Layne". When played live on the 1977 tour, the piano plays the chords on its own before the synthesizer solo was slowly changed from itself (early part of European leg) into half synthesizer and harmony guitar solo by Gilmour (higher notes) and White (lower notes; on the end of the European leg and April and May, 1977 US performances) and then first a bluesy Gilmour solo followed by a harmony guitar solo by Gilmour (higher notes) and White (lower notes; on the June and July, 1977 US performances) finally before ending with the synthesizer solo as on record. Part IX, and the album, ends on G major, a Picardy third.

Live performances

The song was first performed in 1974 as "Shine On",[3] during the band's French tour in June that year. It was first introduced as "Shine On You Crazy Diamond" on the British tour in November 1974. The song was originally performed as one whole suite with some of the parts differing from the album versions with samplings of Barrett's solo song "Dark Globe" during the opening of the song. The version from the British tour was included on the Wish You Were Here Immersion box set. The multi-part version of "Shine On You Crazy Diamond" was first performed on the band's 1975 North American tour with "Have a Cigar" thrown into the middle of the piece. The 1975 versions were close to the final versions except parts one and nine were still not refined yet. The band performed the whole nine-part "Shine On You Crazy Diamond" as part of the Wish You Were Here portion of their 1977 In the Flesh Tour, with extra musicians White on guitar and backing vocals and Parry on saxophones.

Parts I–V of "Shine On You Crazy Diamond" became a staple of Pink Floyd's live performances from 1987–94. The track opened shows for most of the A Momentary Lapse of Reason tour of 1987–89 and the tour closing performance at Knebworth in 1990 with Candy Dulfer on saxophone.[13] The first eleven performances had "Echoes" as the show opener before the band proceeded to play all of A Momentary Lapse of Reason in the rest of the first half in a slightly different sequence to the album. A condensed edition of the track (without the Gilmour solos in both Part II and III) would then open the second half of the shows on the group's 1994 The Division Bell and tour (documented on Pulse) except on shows where all of The Dark Side of the Moon was performed when "Shine On You Crazy Diamond" opened the first half and in the last month and a half of the tour the band added part VII to Parts I–V.

Gilmour performed almost the whole suite (save part IX) at his 2001 and 2002 semi-unplugged concerts (which were documented on his 2002 David Gilmour in Concert video film) and has performed Parts I–II and IV-V (in a new arrangement) on his 2006 On an Island solo tour. Part III was omitted and Parts I and II were simplified and more guitar-focused. Gilmour performed Parts I-V on his Live in Gdańsk album on disc two and on the DVD in the four-disc edition of the album. The five-disc edition and the online downloads available in the three and four-disc editions include Parts I–V recorded in Venice and Vienne in 2006. In many of his performances, solo and with Pink Floyd, Gilmour alters the vocal melody to avoid the higher notes that were originally sung by Waters.

Waters has also performed the song on his 1999 and 2000 tours documented on his In the Flesh – Live album and DVD which was a condensed parts I, II, IV, VI, VII, and IX. Part VI on these performances had a lap steel solo from Jon Carin then guitar solos from Doyle Bramhall II and White. Then on Waters' 2002 tour, he played all nine parts like on record (although part VIII was shortened). An abridged version of parts I–V was performed on Waters' 2006-07 The Dark Side of the Moon Live tour.

Personnel

with:

Edited versions

Three different edited versions of the composition have appeared on compilation albums:

A Collection of Great Dance Songs (Parts I, II, IV, VII)

The version on this compilation album was cut significantly. Parts III, V, VI, VIII and IX were dropped completely. Parts IV and VII are linked by the guitar solo from earlier in Part IV. Lastly, the riff that links Parts VII and VIII is repeated several times as the song segues into the introductory radio passage from "Wish You Were Here".

Echoes: The Best of Pink Floyd (Parts I–VII)

The version on this compilation album was also cut, but less significantly. The guitar solo on Part III was dropped. Part VI was shortened. Parts VIII and IX were dropped completely. Linking Parts V and VI is the sound of wind. These are the same wind effects used to bridge "Wish You Were Here" to Part VI of "Diamond" on the original LP. Finally, the riff that links Parts VII and VIII is repeated several times as the song segues into the introductory passage of clocks of "Time".

A Foot in the Door – The Best of Pink Floyd (Parts I–V)

This version was also cut. Parts VI-IX were dropped completely. Part I was shortened. The guitar solo on Part III was dropped. The saxophone on Part V has an early fade-out. Finally, the machine-like hum that segues into "Welcome to the Machine" in the original album was dropped, the song simply stops and "Brain Damage" begins.

Releases

"Shine On You Crazy Diamond" features on all the below releases:

Albums
Video/DVD/BD
  • Delicate Sound of Thunder (VHS, Part I only) – Pink Floyd, 1988
  • PULSE (VHS and DVD, Parts I–V and VII) – Pink Floyd, 1995 (VHS) 2006 (DVD)
  • In the Flesh – Live (DVD, Parts I–VIII) – Waters, 2000
  • David Gilmour in Concert (DVD, Parts I–V and VI–VIII) – Gilmour, 2002
  • Remember That Night (DVD and BD, Parts I–II and IV–V) – Gilmour, 2007
  • Live in Gdańsk (DVD, Parts I–V) – Gilmour, 2008

Covers

In 2013, Kendra Morris's cover of "Shine On You Crazy Diamond" was featured in early trailers for the film Dead Man Down.[16] The use of the song was well received, with Movieline calling it "kind of amazing",[17] ScreenCrush saying it "lends the movie an eerie and beautiful grandeur",[18] and BuzzSugar said the "powerful" song was what made the trailer "pop".[19]

References

  1. ^ a b "A Rambling Conversation with Roger Waters concerning All this and that - Interviewed by Nick Sedgewick", October 1975
  2. ^ Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture (illustrated ed.). Oxford University Press. pp. 112, 114. ISBN 9780195098877.
  3. ^ a b Carruthers, Bob (2011). Pink Floyd – Uncensored on the Record. Coda Books Ltd. ISBN 978-1-908538-27-7.
  4. ^ a b c d Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture (illustrated ed.). Oxford University Press. p. 113. ISBN 9780195098877.
  5. ^ a b Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture (illustrated ed.). Oxford University Press. p. 114. ISBN 9780195098877.
  6. ^ a b "An Interview with David Gilmour by Gary Cooper"
  7. ^ a b "The Missing Piano", April 2012
  8. ^ "Wish You were Here", Rolling Stone, December 2004
  9. ^ "Shine On!", Total Guitar, September 1996
  10. ^ La Repubblica, 3 February 2006, translation here [1]
  11. ^ Kendall, Charlie (1984). "Shades of Pink - The Definitive Pink Floyd Profile". The Source Radio Show. Retrieved 2011-07-27.
  12. ^ Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture (illustrated ed.). Oxford University Press. p. 123. ISBN 9780195098877.
  13. ^ "Live at Knebworth 1990". Live at Knebworth DVD Review. Pink Floyd News Resource. Retrieved 2008-09-05. "As far as the Floyd selection here, not a bad choice - a nice performance of "Shine On", with a lovely solo from the Dutch saxophonist Candy Dulfer, and "Run Like Hell", which ended the concert."
  14. ^ Ruhlmann, William. "A Collection of Great Dance Songs - Pink Floyd : Songs, Reviews, Credits, Awards". AllMusic. Retrieved 30 June 2013.
  15. ^ "Echoes: the album credits". Pink Floyd. Archived from the original on 2 June *2010. Retrieved 20 June 2013.
  16. ^ Mackinley, Page (29 December 2012). "First Look At ‘Dead Man Down’: Colin Farrell, Noomi Rapace, Terrence Howard [Video]". Inquisitr.com. Retrieved 5 February 2013.
  17. ^ Lincoln, Ross A. (2 January 2013). "Watch: ‘Dead Man Down”s First Trailer Gives Bright Lights, Moody City". Movieline. Retrieved 5 February 2013.
  18. ^ Hall, Jacob (29 December 2012). "‘Dead Man Down’ Trailer: Colin Farrell and Noomi Rapace Get Some Revenge". Screencrush.com. Retrieved 5 February 2013.
  19. ^ Pehanick, Maggie (2 January 2013). "Dead Man Down Trailer". Buzzsugar.com. Retrieved 5 February 2013.

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This page was last modified on 18 July 2013 at 03:17.

Author:Bling King
Published:Aug 14th 2013
Modified:Aug 14th 2013
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Voting Poll
:
There is no such thing as time
Posted by Bling King

    

     Upon further ponderance I have come to the conclusion that time does not exist except in the law of physics. I have come to this conclusion through the observation of how things change and why they change at the pace in which they change. To me it seems that every change that takes place  in the universe is not dictated by time but rather physics. It is the law of physics that dictates the rate and speed at which all things change. For example if you have a car  that is traveling at 100 miles an hour the speed at  which the car travels is all dictated by physical changes and therfor controlled by the law of physics..Therfor it seems that for any change to take place all you need is physics and the law of physics that governs the physical changes. Time does not need be a factor and bears no relavance. As long as we have the law of physics everything will happen in accordance with those laws.

The composition of time
Posted by Bling King

   

    Time has 3 components. A front a middle and a rear. In the front time has what appears to be something of perspectual perspectualness that will move things forward at a set forth proponent. This part of time is easy to see and witness. However it is not easy to predict at which point time will make forward momentum happen. It would seem that this forward momentum is always in inactment but I would disagree with this. To me it seems more as if time interacts with things on its own accord leaving somethings unchanged for long standing periods of time. An example of this would be how time occasionally interacts with the speed of light. The speed of light remains constant but occasionally time will manifest itself into the equation and make modifications of the speed that light travels. For instance light will move forward forthwittingly at a billion miles a second but if it encounters any kind of resistance then time will inject itself and change the speed at which it was moving. Which leads me to the assumption that in order for time to inject itself into any equation a proponent has to take place that makes a physical change that would cause time to interject itself. If no physical change takes place than time has also not been a factor.

    The middle proponent of time is the area in which time is manipulating  the change that takes...Read More

👄What turns me on
Posted by Bling King

    I get turned on by some funny stuff. I'm not really into like full blown kinkiness or at least I wouldn't consider myself to be a kinky person but I do have a few fetishes. Some of them are a little out of the ordinary. For instance I have this one fetish about being tied up  and thrown in the ocean and then rescued by a mermaid. I think this fantasy comes from when I was a kid and I used to dream of mermaids and always wanted to meet one. Well one day its gonna happen. Now don't go telling me mermaids don't exist. You don't know cause they are in fact real and as soon as I meet one I will prove it to you. As far as some of my other turn ons  I guess what really gets me excited is people who  tell other people to shut the fuck up. I love when a woman just looks at a man and tells him to shut his mouth. To me thats a big turn on because the woman seems assertive like a dominatrix or something. If she will be assertive in a conversation she will be assertive in the bedroom or so I  would like to believe.

Time is a dialectable derelict
Posted by Bling King

To fathom the fortrighteousness of time one has to contemplate the personification of forthwittial forthwittil. Time forthwittingly will only listen to the commands of its on inner personification to which there is no directional direction or so it would seem but on further inquisitories I have come to realize that there is a forthwittingly forthwittal of which time has pronounced and those commands seem to speak to the nature of to which time corresponds. To review these pronouncements for your own bemusement look at time as if you had it captured it  in a bottle. What would happen? We know on the inside of the bottle time would force the inner workings of the bottle to correspond to times diabolical commands. Causing everything to change to times everlescent rules. however on the outside of the bottle things would not change, everything would stay in constant neutrality or would it? The question remains if there was no time would things still be allowed to happen and if so at what pace and what would dictate the pace at which things would change. There seems to be no rule in place for the dictation of the pace change which takes place. So it would seem that time has decided that factor somehow within itself. There could be a correlation at which things change and the pace being dictated by physics and the amount the physical world can be allowed to change within its own accord of set boundaries. To actually find...Read More

Free from time constraints
Posted by Bling King

 

 

 

There was a time when time did not matter. The thing that was an utmost relevance now was of no matter. The diffrence it made seemed miniscule and now it is constantly dictating everything that takes place before me. What is this thing that controls and makes everything manifest itself to its constraints and why and how does it do this. Time is nothing but the utmost miracle before us. Something that has always had to exist for anything ever to take place. There is no changing its course there is no variance in its absolute everlasting existance. To control time would be the utmost  crown jewel of all accomplishments if indeed it could ever be controlled. The only way I ever see time being manipulated to change its values is to speed up everything that time has interacted with. In order to do such a thing you would have to understand the nature of the objects in question and how they are effected by time. For instance a speeding car will slow down in time without constant force being distrubuted by the engine. To slow down the car one only has to take their foot off the accelarator and gradually time will do the rest but if you could freeze time at the speed at which the car was traveling then time would not  exist because the...Read More

the truth about time
Posted by Bling King

        I have looked at time many times and I have noticed a few components. There is a precise proponent that ushers in a manifestation. Whenever something new is going to happen you can look at that event which is about to take place and precisely predict exactly when it has started. Once you realize a manifestation has taken place you can precisely predict its out come. If you know that a manifestation has started to take place then you will know you are being guided through the realm precisely by the forces of an enlightenment. Throughout time this manifestation will remain constant starting with a beginning and an end and ending in a preconcieved enlightenment. Sometimes an enlightenment can take weeks and some times an enlightenment can take centuries. It depends on how many times that enlightenment has been benounced to the realm. 

 

nothing
Posted by Bling King

I suspect a suffcient of sufficence of suffiacantel suffiance of suffiance of absurdity of absurdanace. In all actual actuality there is an  actual actuality of actualityness in retrospect to the retorospective respect in which every person who has an intellectual intellect can see that the world is a prominance of prominance in which the order will reside as long as the order is maintained. Once that order is relinquished chaos will ensue. For chaos to be a calamity there only needs to be a perspectual perspective of perspectance that escalates the chaos to that height. What would cause that is a person or persons in the realm of the realmatical realmatics looking beyond thier own existance to the existance of there forfathers to see what has become of thier existance. If you look at your own existance for what it is you will see that it is neither logical nor illogical for it makes all the sense of a sensimatical sensematic. As long as you have a reason for your own existance then it is fruitful for you to exist. Once that reason or reasons are gone you will no longer care whether it is you live or die. In the realm in which we live is a prospectus prospectant of prospectantin which all will ensue. To change the prospectus prospectus you need to look to the realm and see what the prospectus prospectant is and manifest it to your own liking. My...Read More

The conclusive conclusion
Posted by Bling King

In all actual reality the realm is manifested of certain procedural procedures that come forth frequently to forthrightous forthrightenous. In the place of predicament I have found that I can properly place things in the procedural sequence unbenowst to people of the realm. In order to conflict the conflictions you have to equate the equation of equationalness in to proper equations. Very simple but also very tedious. You do this by equating the equation into percise preciseness. An example of an equation would be a placement of perdicament of a certain event in which you wish it to be. The next manifestation I could manifest is a manifestual manifestation of manifests of a sequance of certainal circumstances. Put together a sequence by asking the sequence in order to manifest itself and then tell the manifestations to happen in frequence in which they will unfold.

The Unattainable future
Posted by Bling King

     If the future is a grain of sand and its falling through an hour glass nothing in the world can stop it. It will eniquivaocalby blind as to where its going when it comes to its rest it has befallen its fate and will remain where it lay for an eternity knowing nothing about itself or it's surroundings. I am that grain of sand. Nothing ever can change my destiny for only time here makes a diffrence.. To benounce the future is the only way to change ones fortune. The time it takes to make an equivical change remains the utmost mystery of the universe.

🤯In the eyes of myself
Posted by Bling King

 

 

There where three men. All who seemed frightened. They stood on the edge of the canyon looking on as a fourth man tumbled to his death. We could have saved him said one of the men. He should have saved himself said another. The third man just look at them bewildered and brought a handgun to his own head and pulled the trigger. Blood spattered. The two men watched as he slumped to the ground. The first man screamed and the second threw himself to the side of the man on the ground. Why?!! he screamed. It was the only sound heard. Sobbing he looked at the man standing and said you did this! You and your frigging righteous speech about the lives we leave and the sacrifice we must make. Your the devil. I am not the devil said the standing man only the truth. The truth about what? The other man screamed. Your life he said and he jumped.

The man heard a ringing and he sat up slowly. It was over the dream but his thoughts where still on the side of the canyon. How did this happen. How did it all just fade away? The dream came and went in an instant leaving his mind boggled and his eyes heavy. I knew I was there thought the man but how? It was all to familiar the...Read More

The story Elijah and Ellen
Posted by Bling King

The story of Elijah and Ellan. This is the story of Elijah and Ellan. Ellan is a beutiful temptress and Elijah is a dutiful servant of Ellan's. Together the pair fell in love and soon became a duo of in excessible excession. They frolicked in the sun under the rare occurance of rain they took shelter in the arms of each other. One day while hiding from the glares of the sun under an oak tree that provided an abundance of shade they looked into each others souls and realized there where no people suited for each other then the two of them where suited for each other. They basked in the notion that they where the most two compatible souls on the planet. As they where thinking this a giant unforseen acclamaited acclamation occurred. The planet began to tremble and shake beneath them and the stars came out. The sun hid amongst the clouds and everything from start to finish began to take shape. There where huge explosions and giant surges of wind and rain. The two began to run for their shelter knowing at the exact moment the trembling and violent agressions of unacclaimated weather started that they most likely wouldn't make it to see another sunrise. The planet was exploding with molten lava and the tempertures where unbearable as for the two of them could remember they had never seen a winter climate and didn't expect they ever would. The planet had been warming out of...Read More

today was a day of dismal despair
Posted by Bling King

Things have gone down hill drastically now for a very long time. We seem to be some what defeated but yet i know we still have some power and prominance. We are fighting an up hill battle and there is no way forward from here from what i can see. We are trudging along a path that goes nowhere.

⚔️The Greatest Warrior of All Time
Posted by Bling King

 

 

Today i conquered and beat all adverseries there where to beat. Tomorrow new adversaries will arise. I will be ready, there is never a shortage of enemies who wish to dethrone me from the top of the world. I didn't get here by being passive and yeilding to the oppostion. I got here by defeating them both mentally and physically and in entiriety.

In a time of desilute despair
Posted by Bling King

     There was a time when I was in desilute despair. The only thing I had was me myself and I to fall back on. I looked at the person who was my opponent and I knew one of  us was going to die and I was going to do everytrhing I could to make dam sure it wasn't me. I pulled my six shooter from its holster and aimed at the guy looking at me  about 30 yards away. He also went for his gun and in lightning speed he was laid sprawled out on the dirt bleeding and moaning. I had heard a shot but new that it had come from my own gun. He never even got a shot off. I was unscathed and again undeafeted. Anybody who ever tried to kill me was dead and their where over 30 who had tried and failed to kill yours truly.

Gravity
Posted by Bling King

Gravity is the force of nature that pulls cellestrial bodies toward one another. The cause of gravity is the enertia of a bodies movement through space and time. This happens by an object preconcievably traveling through the cosmos at an alarming rate of acceleration. The faster an object travels the more enertia it will build up and then will therefore have a greater ability to move. the more it moves the more other objects will cling to it. the way this can be proved is by taking an object and hurtling it towards another object the two objects would collide do to the enertia pulling them towards each other. Thy would not stay on their current trajectory but their paths would alter towards one another in a greater force than their initial gravitational pull. the best test to accomodate this theory would be tow baseballs flying through the air at speeds over one hundred miles an hour. The baseballs would not interject themselves with one another normally but at this speed would do so do to the balls enertia pulling them towards one another.

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