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Pink Floyd - Comfortably Numb

Pink Floyd - Comfortably Numb

Comfortably Numb

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"Comfortably Numb"

The artwork for the Japanese release
Single by Pink Floyd
from the album The Wall
B-side "Hey You"
Released 23 June 1980[1][2]
Format 7"
Recorded April–November 1979
Genre Progressive rock
Length 6:23 (Album version)
3:59 (Single edit)
Label EMI
Writer(s) David Gilmour, Roger Waters
Producer Bob Ezrin, David Gilmour, James Guthrie and Roger Waters
Pink Floyd singles chronology
"Run Like Hell"
(1980)
"Comfortably Numb"
(1980)
"Pink Floyd - The Wall - Music From The Film"
(1982)
The Wall track listing
 

"Comfortably Numb" is a song by the English rock band Pink Floyd, which first appears on the 1979 double album, The Wall. It was also released as a single in the same year with "Hey You" as the B-side. It is one of only three songs on the album for which writing credits are shared between Roger Waters and David Gilmour. The melody and most of the music was written by Gilmour while Waters contributed the lyrics and some additional notes. The song had the working title of "The Doctor".[3] An early version of the song was included under this title on the "Immersion Box Set" of The Wall, released in 2012.

The song is one of Pink Floyd's most famous, and is renowned especially for its guitar solos.[4] In 2004, the song was ranked number 314 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time.[5] In 2005, it was the last song ever to be performed by Waters, Gilmour, Wright, and Mason together. In 2011, the song was ranked 5th in the BBC Radio 4's listeners' Desert Island Discs[6] choices.

Contents

History

While most songs on The Wall were written by Waters alone, most of the music for "Comfortably Numb" was written by David Gilmour, who originally recorded the instrumental demo during the latter stages of recording his first solo album, hoping to find some later use for it. Gilmour later brought his demo of it to The Wall sessions. In Gilmour's original demo, though there were no lyrics, he sang a melody not unlike the final version of the chorus. The verses, however, were in the key of E minor (a progression of E minor, D major, C major, A minor, and back to E minor again), rather than B minor, as in the final version. Also, the chord sequence for the final chorus line "I have become comfortably numb" did not exist in Gilmour's demo. So, while the music is widely considered to be Gilmour's work, it's entirely possible that Roger Waters composed the chords for that line, as well as making the decision to change the verses from E minor to B minor.

Concept

As with the other songs on The Wall, "Comfortably Numb" tells a segment of the story about Pink, the album's protagonist. This song has to do with Pink's battle to handle the world. The lyrics feature interplay between a doctor treating Pink (verses, sung by Waters) and Pink's thoughts (chorus, sung by Gilmour).

Film adaptation

A large group consisting of Pink's manager (Bob Hoskins), the hotel manager (Michael Ensign), paramedics, and roadies burst into Pink's hotel room to find an unconscious Pink sitting in a chair. As the paramedics try to revive Pink, his manager berates him, complaining about how he never liked him. The hotel manager does not take kindly to Pink's untidiness, but Pink's manager insists that "he's an artist". After injecting a drug into Pink's arm, the paramedics drag Pink out of the hotel and to his limousine.

He is then transported to a concert where he was scheduled to play. Flashbacks of Pink's childhood are inter-cut into the scene. In the flashback, a young Pink finds a wild rat and shows it to his overprotective mother. Her negative reaction towards the rodent causes Pink to hide the rat in a nearby shed. Pink later catches a fever that keeps him bed-ridden for some time. After he recovers, Pink returns to the shed only to find that the rat has died in his absence. Pink dumps its lifeless body in a nearby river.

As he is dragged through the halls of the hotel towards a waiting limousine, the drug causes Pink to hallucinate that his body is developing into a hideous, bulbous pink shell. He dreams of injured (or perhaps dead) soldiers attempting to give him back his deceased rat. Upon being pushed into the limousine, Pink tears off his diseased shell to reveal himself in Nazi-like military attire, and now appears very clean, alert, and in control of his surroundings.

The film version of "Comfortably Numb" is very much the same as the album version, except that Richard Wright's organ before David Gilmour's final solo has been removed, and Pink's screams (as performed by Roger Waters) have been mixed in, as he claws his way out of his shell.

Composition

The verses are composed in the key of B minor, while the chorus is in that key's relative major, D major. The song is one of two tracks on The Wall which are free-standing and do not fade into or out of an adjacent track. (The other free-standing song is "Mother".) This is because on the original LP there was a hiatus of the music as side 3 of the album finished. This is also the longest song on the album at 6:21, followed by "Mother", which is 5:32.

According to Rolling Stone, the lyrics came from Roger Waters' experience when he was injected with tranquilizers for stomach cramps by a doctor prior to playing a Pink Floyd show in Philadelphia on the band's 1977 In the Flesh tour.[7][8] "That was the longest two hours of my life," Waters said, "trying to do a show when you can hardly lift your arm." The experience gave him the idea which eventually became the lyrics to this song.

Waters and Gilmour disagreed about how to record the song as Gilmour preferred a more grungy style for the verses. In the end, Waters' preferred opening to the song and Gilmour's final solo were used on the album. Gilmour would later say, "We argued over "Comfortably Numb" like mad. Really had a big fight, went on for ages."[9] For the backing of Gilmour's vocal section, he and session player Lee Ritenour used a pair of high-strung acoustic guitars, similar to "Nashville" tuning, only the low E string was replaced with a high E string, two octaves higher than normal, instead of one. This tuning was also used for the arpeggios heard throughout most of "Hey You").[10]

Guitar solos

This song features two guitar solos by David Gilmour. The first solo is played over a shortened version of the chorus music, and the longer outro solo is played over the verse structure. In 1989, the readers of the Pink Floyd fanzine, The Amazing Pudding, voted this song the best Floyd song of all time. David Gilmour's solo was rated the 4th best guitar solo of all-time by Guitar World magazine, in a reader poll.[11] Also in Guitar World, there were details on David Gilmour's "Comfortably Numb" solo, stating that the solo (most likely the outro solo) was pieced together from several other solos that he had been experimenting with at the time; this was accomplished by recording several solos and marking his preferred segments for the perfect final take. In August 2006, it was voted the greatest guitar solo of all time in a poll by listeners of digital radio station Planet Rock. In addition, Gilmour's guitar tone in the song was named best guitar sound by Guitarist magazine in November 2010.[12]

'[David Gilmour] is obviously using a couple of effects, like a Big Muff and a delay, but it really is just his fingers, his vibrato, his choice of notes and how he sets his effects. I find it extraordinary when people think they can copy his sound by duplicating his gear. In reality, no matter how well you duplicate the equipment, you will never be able to duplicate the personality.'
—Phil Taylor, Pink Floyd's technician.[13]

Live performances

The song has become an established favourite, and an essential part of any live set by Pink Floyd, and also by Waters and Gilmour during their respective solo careers.

Pink Floyd

During the 1980/81 The Wall tour, where a giant wall was constructed across the stage during the performance, the song was performed with Roger Waters dressed as a doctor at the bottom of the wall, and David Gilmour singing and playing guitar from the top of the wall on a raised platform with spotlights shining from behind him. According to David Gilmour, the final solo was one of the few opportunities during those concerts that he was free to improvise completely.

'It was a fantastic moment, I can tell, to be standing up on there, and Roger's just finished singing his thing, and I'm standing there, waiting. I'm in pitch darkness and no one knows I'm there yet. And Roger's down and he finishes his line, I start mine and the big back spots and everything go on and the audience, they're all looking straight ahead and down, and suddenly there's all this light up there and they all sort of--their heads all lift up and there's this thing up there and the sound's coming out and everything. Every night there's this sort of "[gasp!]" from about 15,000 people. And that's quite something, let me tell you.'

After Waters had left the band, Gilmour also revised the verses to his preferred grungier approach during live performances. The verse vocals were arranged for three-part harmonies, rather than attempting to imitate Waters' voice. In both 1987–88 and 1994, the lyrics were sung by Richard Wright, Guy Pratt and Jon Carin.

In December 1988, a video of the live performance from Delicate Sound of Thunder reached number 11 on MTV's Top 20 Video Countdown. The video was two minutes shorter than the album version and the video clip had different camera angles from the home video version.

A 10-minute version of "Comfortably Numb" was performed at Earls Court, London on 20 October 1994, as part of the The Division Bell tour. The Pulse video release edited out approximately 1:14 minutes of the ending solo, whereas the original pay-per-view video showed the unedited version.

Pink Floyd, complete with Waters, reunited briefly to perform at the Live 8 concert in Hyde Park, London in July 2005. The set consisted of four songs, of which "Comfortably Numb" was the last.

David Gilmour

Gilmour has performed the song during each of his solo tours.

In his 1984 tour to promote his album About Face, the set list referred to the song as "Come On Big Bum". The vocals during the verses were performed by band members Gregg Dechart and Mickey Feat.

In 2001 and 2002, the verse vocals were performed on different dates by guest singers: Robert Wyatt, Kate Bush, Durga McBroom, and most notably Bob Geldof, who had played Pink in the movie version of The Wall.

On 29 May at the Royal Albert Hall, David Bowie, in a guest appearance, sang Waters' part of the song. The next day, on 30 May, Richard Wright sang Waters' part, by himself, on the same venue. Both performances were immortalized on Gilmour's Remember That Night concert video.

In 2006, David Gilmour performed the song in a concert, with the Polish Baltic Philharmonic Orchestra providing the orchestral parts that had usually been done with backing tapes or multiple synthesizers. This version would be released on Live in Gdańsk.

Roger Waters

After leaving Pink Floyd, Waters first performed "Comfortably Numb" at the 1990 concert staging of The Wall – Live in Berlin on 21 July 1990. The event's purpose was to commemorate the fall of the Berlin Wall. Roger Waters sang lead, Van Morrison sang Gilmour's vocal parts backed by Rick Danko and Levon Helm of The Band, with guitar solos by Rick Di Fonzo and Snowy White, and backup by the Rundfunk Orchestra & Choir. This version was used in the Academy Award-winning 2006 film The Departed, directed by Martin Scorsese. It is also heard in the TV show episode of The Sopranos, titled "Kennedy and Heidi", when Christopher Moltisanti plays The Departed soundtrack on his car stereo before a serious accident. Van Morrison's 2007 compilation album, Van Morrison at the Movies – Soundtrack Hits includes this version.

Waters subsequently performed the song at the "Guitar Legends" festival in Spain in 1991, with guest vocals by Bruce Hornsby), and at the Walden Woods benefit concert in Los Angeles in 1992 with guest vocals by Don Henley.

During 1999–2000, Doyle Bramhall II and Snowy White stood in for Gilmour's vocals and guitar solos; a role carried out by Chester Kamen and White in 2002. In 2006–2007 Gilmour's vocals were performed by Jon Carin and Andy Fairweather-Low with Dave Kilminster and White performing the guitar solos.

During Waters' The Wall Live tour, Robbie Wyckoff sang Gilmour's vocals, and Dave Kilminster performed the guitar solos, both of them atop the wall, as Gilmour has been in the original tour. During the 12 May 2011 performance at the London O2 Arena, David Gilmour appeared as a guest during this song, and both sang the choruses and played guitar from the top of the wall, echoing the original Earls Court performances.[15] The song contains one of the show's most memorable moments, when at a specific point in the final guitar solo, Waters runs to the wall, pounding it with his fists, triggering an explosion of colour in the previously dark grey projections.

Waters performed the song with Eddie Vedder singing Gilmour's vocals at 12-12-12: The Concert for Sandy Relief.

Cover versions

An orchestrated version of "Comfortably Numb", arranged by Jaz Coleman, performed by the London Philharmonic Orchestra, and conducted by Peter Scholes, appears on the 1995 instrumental album Us and Them: Symphonic Pink Floyd.

Various Pink Floyd tribute albums include this song, including Luther Wright and the Wrongs on Rebuild the Wall (2001), Graham Parker on A Fair Forgery of Pink Floyd (2003), Billy Sherwood with Yes members Chris Squire and Alan White on Back Against the Wall (2005); Mostly Autumn with Heather Findlay singing verse, Sarah Slean on Pink Floyd Redux (2006)

In addition, Gregorian recorded it on Masters of Chant Chapter V (2006).[16] Staind included a live acoustic version on their compilation album The Singles 1996→2006. Bruce Hornsby performs "Comfortably Numb" as part of a medley with his own "Fortunate Son") on the 2005 DVD Three Nights on the Town. Dar Williams recorded it on her 2005 album My Better Self.

The Scissor Sisters recorded a radically re-arranged disco-oriented version released in January 2004 on Polydor. This release reached number 10 in the UK Singles Chart, becoming the most successful cover of a Pink Floyd song to date in the UK.[citation needed] David Gilmour and Nick Mason expressed a liking for the group's version,[17] and Roger Waters is said to have congratulated the Scissor Sisters on the version, although a lyric was changed, from "a distant ship's smoke on the horizon" to "a distant ship floats on the horizon".[18] Jake Shears, the band's lead singer, was invited by Gilmour to sing "Comfortably Numb" with him in some 2006 shows, but the idea was dropped at the last moment to Shears' public disappointment.[19] This cover received a Grammy nomination for Best Dance Recording, but lost to "Toxic" by Britney Spears.

Progressive metal band Dream Theater recorded a live version of the song along with Queensryche which was included as a bonus track in their officially released bootleg Dark Side of the Moon in 2006.

On 7 July 2008, Van Morrison began to include this song on the set list of some of his live concert performances, echoing his duet with Waters in the 1990 Berlin staging of The Wall. After singing it at the Massey Hall in Toronto, Canada he remarked, "I hope you liked that. I'm not numb and I'm not comfortable."[20]

English gothic rock band The Sisters of Mercy also played the song on his concert for example in the Brixton Academy. London, June 10, 1997 and many other times.

In addition, Collide recorded it on These Eyes Before (2009).

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Author:Bling King
Published:Apr 7th 2013
Modified:Apr 7th 2013
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There is no such thing as time
Posted by Bling King

    

     Upon further ponderance I have come to the conclusion that time does not exist except in the law of physics. I have come to this conclusion through the observation of how things change and why they change at the pace in which they change. To me it seems that every change that takes place  in the universe is not dictated by time but rather physics. It is the law of physics that dictates the rate and speed at which all things change. For example if you have a car  that is traveling at 100 miles an hour the speed at  which the car travels is all dictated by physical changes and therfor controlled by the law of physics..Therfor it seems that for any change to take place all you need is physics and the law of physics that governs the physical changes. Time does not need be a factor and bears no relavance. As long as we have the law of physics everything will happen in accordance with those laws.

The composition of time
Posted by Bling King

   

    Time has 3 components. A front a middle and a rear. In the front time has what appears to be something of perspectual perspectualness that will move things forward at a set forth proponent. This part of time is easy to see and witness. However it is not easy to predict at which point time will make forward momentum happen. It would seem that this forward momentum is always in inactment but I would disagree with this. To me it seems more as if time interacts with things on its own accord leaving somethings unchanged for long standing periods of time. An example of this would be how time occasionally interacts with the speed of light. The speed of light remains constant but occasionally time will manifest itself into the equation and make modifications of the speed that light travels. For instance light will move forward forthwittingly at a billion miles a second but if it encounters any kind of resistance then time will inject itself and change the speed at which it was moving. Which leads me to the assumption that in order for time to inject itself into any equation a proponent has to take place that makes a physical change that would cause time to interject itself. If no physical change takes place than time has also not been a factor.

    The middle proponent of time is the area in which time is manipulating  the change that takes...Read More

👄What turns me on
Posted by Bling King

    I get turned on by some funny stuff. I'm not really into like full blown kinkiness or at least I wouldn't consider myself to be a kinky person but I do have a few fetishes. Some of them are a little out of the ordinary. For instance I have this one fetish about being tied up  and thrown in the ocean and then rescued by a mermaid. I think this fantasy comes from when I was a kid and I used to dream of mermaids and always wanted to meet one. Well one day its gonna happen. Now don't go telling me mermaids don't exist. You don't know cause they are in fact real and as soon as I meet one I will prove it to you. As far as some of my other turn ons  I guess what really gets me excited is people who  tell other people to shut the fuck up. I love when a woman just looks at a man and tells him to shut his mouth. To me thats a big turn on because the woman seems assertive like a dominatrix or something. If she will be assertive in a conversation she will be assertive in the bedroom or so I  would like to believe.

Time is a dialectable derelict
Posted by Bling King

To fathom the fortrighteousness of time one has to contemplate the personification of forthwittial forthwittil. Time forthwittingly will only listen to the commands of its on inner personification to which there is no directional direction or so it would seem but on further inquisitories I have come to realize that there is a forthwittingly forthwittal of which time has pronounced and those commands seem to speak to the nature of to which time corresponds. To review these pronouncements for your own bemusement look at time as if you had it captured it  in a bottle. What would happen? We know on the inside of the bottle time would force the inner workings of the bottle to correspond to times diabolical commands. Causing everything to change to times everlescent rules. however on the outside of the bottle things would not change, everything would stay in constant neutrality or would it? The question remains if there was no time would things still be allowed to happen and if so at what pace and what would dictate the pace at which things would change. There seems to be no rule in place for the dictation of the pace change which takes place. So it would seem that time has decided that factor somehow within itself. There could be a correlation at which things change and the pace being dictated by physics and the amount the physical world can be allowed to change within its own accord of set boundaries. To actually find...Read More

Free from time constraints
Posted by Bling King

 

 

 

There was a time when time did not matter. The thing that was an utmost relevance now was of no matter. The diffrence it made seemed miniscule and now it is constantly dictating everything that takes place before me. What is this thing that controls and makes everything manifest itself to its constraints and why and how does it do this. Time is nothing but the utmost miracle before us. Something that has always had to exist for anything ever to take place. There is no changing its course there is no variance in its absolute everlasting existance. To control time would be the utmost  crown jewel of all accomplishments if indeed it could ever be controlled. The only way I ever see time being manipulated to change its values is to speed up everything that time has interacted with. In order to do such a thing you would have to understand the nature of the objects in question and how they are effected by time. For instance a speeding car will slow down in time without constant force being distrubuted by the engine. To slow down the car one only has to take their foot off the accelarator and gradually time will do the rest but if you could freeze time at the speed at which the car was traveling then time would not  exist because the...Read More

the truth about time
Posted by Bling King

        I have looked at time many times and I have noticed a few components. There is a precise proponent that ushers in a manifestation. Whenever something new is going to happen you can look at that event which is about to take place and precisely predict exactly when it has started. Once you realize a manifestation has taken place you can precisely predict its out come. If you know that a manifestation has started to take place then you will know you are being guided through the realm precisely by the forces of an enlightenment. Throughout time this manifestation will remain constant starting with a beginning and an end and ending in a preconcieved enlightenment. Sometimes an enlightenment can take weeks and some times an enlightenment can take centuries. It depends on how many times that enlightenment has been benounced to the realm. 

 

nothing
Posted by Bling King

I suspect a suffcient of sufficence of suffiacantel suffiance of suffiance of absurdity of absurdanace. In all actual actuality there is an  actual actuality of actualityness in retrospect to the retorospective respect in which every person who has an intellectual intellect can see that the world is a prominance of prominance in which the order will reside as long as the order is maintained. Once that order is relinquished chaos will ensue. For chaos to be a calamity there only needs to be a perspectual perspective of perspectance that escalates the chaos to that height. What would cause that is a person or persons in the realm of the realmatical realmatics looking beyond thier own existance to the existance of there forfathers to see what has become of thier existance. If you look at your own existance for what it is you will see that it is neither logical nor illogical for it makes all the sense of a sensimatical sensematic. As long as you have a reason for your own existance then it is fruitful for you to exist. Once that reason or reasons are gone you will no longer care whether it is you live or die. In the realm in which we live is a prospectus prospectant of prospectantin which all will ensue. To change the prospectus prospectus you need to look to the realm and see what the prospectus prospectant is and manifest it to your own liking. My...Read More

The conclusive conclusion
Posted by Bling King

In all actual reality the realm is manifested of certain procedural procedures that come forth frequently to forthrightous forthrightenous. In the place of predicament I have found that I can properly place things in the procedural sequence unbenowst to people of the realm. In order to conflict the conflictions you have to equate the equation of equationalness in to proper equations. Very simple but also very tedious. You do this by equating the equation into percise preciseness. An example of an equation would be a placement of perdicament of a certain event in which you wish it to be. The next manifestation I could manifest is a manifestual manifestation of manifests of a sequance of certainal circumstances. Put together a sequence by asking the sequence in order to manifest itself and then tell the manifestations to happen in frequence in which they will unfold.

The Unattainable future
Posted by Bling King

     If the future is a grain of sand and its falling through an hour glass nothing in the world can stop it. It will eniquivaocalby blind as to where its going when it comes to its rest it has befallen its fate and will remain where it lay for an eternity knowing nothing about itself or it's surroundings. I am that grain of sand. Nothing ever can change my destiny for only time here makes a diffrence.. To benounce the future is the only way to change ones fortune. The time it takes to make an equivical change remains the utmost mystery of the universe.

🤯In the eyes of myself
Posted by Bling King

 

 

There where three men. All who seemed frightened. They stood on the edge of the canyon looking on as a fourth man tumbled to his death. We could have saved him said one of the men. He should have saved himself said another. The third man just look at them bewildered and brought a handgun to his own head and pulled the trigger. Blood spattered. The two men watched as he slumped to the ground. The first man screamed and the second threw himself to the side of the man on the ground. Why?!! he screamed. It was the only sound heard. Sobbing he looked at the man standing and said you did this! You and your frigging righteous speech about the lives we leave and the sacrifice we must make. Your the devil. I am not the devil said the standing man only the truth. The truth about what? The other man screamed. Your life he said and he jumped.

The man heard a ringing and he sat up slowly. It was over the dream but his thoughts where still on the side of the canyon. How did this happen. How did it all just fade away? The dream came and went in an instant leaving his mind boggled and his eyes heavy. I knew I was there thought the man but how? It was all to familiar the...Read More

The story Elijah and Ellen
Posted by Bling King

The story of Elijah and Ellan. This is the story of Elijah and Ellan. Ellan is a beutiful temptress and Elijah is a dutiful servant of Ellan's. Together the pair fell in love and soon became a duo of in excessible excession. They frolicked in the sun under the rare occurance of rain they took shelter in the arms of each other. One day while hiding from the glares of the sun under an oak tree that provided an abundance of shade they looked into each others souls and realized there where no people suited for each other then the two of them where suited for each other. They basked in the notion that they where the most two compatible souls on the planet. As they where thinking this a giant unforseen acclamaited acclamation occurred. The planet began to tremble and shake beneath them and the stars came out. The sun hid amongst the clouds and everything from start to finish began to take shape. There where huge explosions and giant surges of wind and rain. The two began to run for their shelter knowing at the exact moment the trembling and violent agressions of unacclaimated weather started that they most likely wouldn't make it to see another sunrise. The planet was exploding with molten lava and the tempertures where unbearable as for the two of them could remember they had never seen a winter climate and didn't expect they ever would. The planet had been warming out of...Read More

today was a day of dismal despair
Posted by Bling King

Things have gone down hill drastically now for a very long time. We seem to be some what defeated but yet i know we still have some power and prominance. We are fighting an up hill battle and there is no way forward from here from what i can see. We are trudging along a path that goes nowhere.

⚔️The Greatest Warrior of All Time
Posted by Bling King

 

 

Today i conquered and beat all adverseries there where to beat. Tomorrow new adversaries will arise. I will be ready, there is never a shortage of enemies who wish to dethrone me from the top of the world. I didn't get here by being passive and yeilding to the oppostion. I got here by defeating them both mentally and physically and in entiriety.

In a time of desilute despair
Posted by Bling King

     There was a time when I was in desilute despair. The only thing I had was me myself and I to fall back on. I looked at the person who was my opponent and I knew one of  us was going to die and I was going to do everytrhing I could to make dam sure it wasn't me. I pulled my six shooter from its holster and aimed at the guy looking at me  about 30 yards away. He also went for his gun and in lightning speed he was laid sprawled out on the dirt bleeding and moaning. I had heard a shot but new that it had come from my own gun. He never even got a shot off. I was unscathed and again undeafeted. Anybody who ever tried to kill me was dead and their where over 30 who had tried and failed to kill yours truly.

Gravity
Posted by Bling King

Gravity is the force of nature that pulls cellestrial bodies toward one another. The cause of gravity is the enertia of a bodies movement through space and time. This happens by an object preconcievably traveling through the cosmos at an alarming rate of acceleration. The faster an object travels the more enertia it will build up and then will therefore have a greater ability to move. the more it moves the more other objects will cling to it. the way this can be proved is by taking an object and hurtling it towards another object the two objects would collide do to the enertia pulling them towards each other. Thy would not stay on their current trajectory but their paths would alter towards one another in a greater force than their initial gravitational pull. the best test to accomodate this theory would be tow baseballs flying through the air at speeds over one hundred miles an hour. The baseballs would not interject themselves with one another normally but at this speed would do so do to the balls enertia pulling them towards one another.

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