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Michael Jackson - Smooth Criminal - Live in Munich 1997 [HD]

Michael Jackson - Smooth Criminal - Live in Munich 1997 [HD]

 

Smooth Criminal

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"Smooth Criminal"
Single by Michael Jackson
from the album Bad
Released 1987
Format 5" CD single, 3" CD single, 12" vinyl, 7" single and cassette single
Recorded January 1987
Genre Funk, dance-pop
Length 4:17 (album version)
4:10 (7" edit)
7:49 (12" edit)
Label Epic
Writer(s) Michael Jackson
Producer Quincy Jones
Michael Jackson (co-producer)
Michael Jackson singles chronology
"Another Part of Me"
(1987)
"Smooth Criminal"
(1987)
"Leave Me Alone"
(1987)
Bad track listing
"Dirty Diana"
(9)
"Smooth Criminal"
(10)
"Leave Me Alone"
(11)
This Is It track listing
"Human Nature"
(4)
"Smooth Criminal'"
(5)
"The Way You Make Me Feel"
(6)
Audio sample
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"Smooth Criminal" is the seventh single from Michael Jackson's 1987 Bad album. The song contains a fast-paced beat intertwined with Jackson's lyrics about a woman named Annie, who has been attacked in her apartment by a "smooth" assailant. It was released as a single on October 21, 1988, and peaked at number seven on the Billboard Hot 100.[1] It was re-released on April 10, 2006, as a part of the Visionary: The Video Singles box-set. The re-released Visionary single charted at number 19 in the UK. The piece is one of Jackson's signature songs, and has appeared on numerous greatest hits albums, including Number Ones, The Essential Michael Jackson, Michael Jackson: The Ultimate Collection, King of Pop, This Is It, and Immortal (for the New version of song).

The song also serves as the theme song to Jackson's 1988 film Moonwalker. The single has sold over 7.5 million copies.

Contents

Background and composition

Smooth Criminal was a song written by Michael Jackson and co-produced with Quincy Jones. Two early versions of the song were written by Jackson in 1985 and the original demo was recorded in 1986. The first song was called "Chicago 1945" which evolved into "Al Capone" (which was later released on the Bad 25th anniversary edition of the album). This version didn't make the album and was re-worked and re-written as "Smooth Criminal". This song is played in the key of a minor.[2] Jackson's vocal spans from G3 to E5.[2] It has a moderate tempo and metronome of 118 beats per minute.[2]

Music video and live performances

Jackson originally wanted to make the short film in the western genre, but later decided to change it to a 1930s nightclub style.[3] Film was shot between mid-February and April 1987.

The style of both the clip and the clothes as well as mannerisms Jackson portrayed were reused in the arcade, the Sega Master System, the Sega Mega Drive and the Sega Game Gear adaptations of Moonwalker. The song itself serves as the soundtrack for the Club 30s stage, the nightclub from the movie, in all versions of the game.

The song was performed live during the second leg of Jackson's 1988–89 Bad World Tour, directed and choreographed by Jackson and Vincent Paterson. The performance featured a dance routine modeled after the scene from Moonwalker. By the time the 1992 Dangerous World Tour came around, this performance became a regular on Jackson tours, including his HIStory World Tour. A spoken word and synth recording preceded the song on the second leg of the Bad tour and on the subsequent Dangerous World Tour, the same recording having been used as an intro for the song "This Place Hotel" on the first leg of the Bad Tour. By the time of the Dangerous Tour, Jackson had devised a way to perform the patented anti-gravity lean, which was featured in the Moonwalker video, on stage. Much like the robot move from "Dancing Machine" and the Moonwalk from "Billie Jean", this showcased Jackson's talent for creating unique moves to enhance stage performances. This performance can be seen on the Bucharest Dangerous Tour performance which is included as a DVD in The Ultimate Collection boxed set.

Part of the song was also briefly used in the middle of the live version of the song "Dangerous" since Jackson's performance at the 1995 MTV Video Music Awards. In the HIStory Tour, he used a small snippet of this song during his performance of "Dangerous". Jackson had planned to use it again in his "Dangerous" performance in his This Is It concerts,[citation needed] along with the full track,[citation needed] the concert series was canceled due to his sudden death.

Film adaptation

The song was adapted into a short film which was the centerpiece of the 1988 film Moonwalker starring Michael Jackson and Joe Pesci in the lead roles.

Plot

The film begins with three homeless children -- Sean, Katie and Zeke (Sean Lennon, Kellie Parker and Brandon Quintin Adams) -- sneaking through a big city to see their friend Michael walk out of his store in a black suit. As Michael stands in front of the door, he gazes at the night sky before he is attacked by mobsters with machine guns. The film then backtracks to show Michael and the children playing in a meadow in happier times. Their dog Skipper runs away, and as Michael and Katie look for him, they uncover the lair of Mr. Big (Joe Pesci). Mr. Big—whose real name is Frankie LiDeo, which is an anagram of Frank DiLeo—is a drug-dealing mobster with a disciplined private army at his command. He wants to get the entire population of Earth addicted to drugs, starting with children. He likes to eat nuts and leaves nutshells wherever he goes. He is obsessed with spiders, as displayed by their abundance at the entrance to his lair and his operation named "bugs and drugs." Further, all his henchmen sport a spider crest on their uniforms. Katie screams when she sees a spider, and Mr. Big discovers them spying on his operation.

The story returns to the shooting in front of Michael's store. Unknown to the gangsters, Michael has a lucky star, and using it, he escaped the gunfire. Upon realizing that Michael has escaped again, Mr. Big orders his henchmen to track him down with dogs. Michael is eventually cornered in an alley, where he uses his lucky star again to turn into a sportscar (the 1970 Lancia Stratos prototype) that mows down several of Mr. Big's henchmen. Michael is pursued through the city streets until he loses the henchmen. Meanwhile, the children scout out Club 30's, where Michael had told them to meet him, and find only an abandoned and haunted nightclub. As Michael arrives, Katie sees a silhouette of him turning back from a car into himself, this time in a white and blue suit. The door of the club opens with a gust of wind, and Michael walks in to find it filled with zoot suiters and swing dancers. The children gather outside a window of the club and watch Michael dance to "Smooth Criminal."

The song used in the film is much longer than the album release, with several lyrics that clarify the story. There is also an interlude wherein Jackson joins the other dancers in a modern interpretive dance. At the climax of the song, Mr. Big lays siege to the club and kidnaps Katie. Michael follows them back to Big's lair and ends up surrounded by his henchmen. Mr. Big appears and taunts Michael by threatening to inject Katie with highly addictive narcotics. Katie breaks free for a moment, but Mr. Big grabs her again and starts kicking Michael. As Mr. Big stands over Michael and orders his henchmen to kill him and Katie, Michael looks up and sees his lucky star. He transforms into a giant robot and kills all of Mr. Big's soldiers, then turns into a spaceship. Mr. Big gets into a large hillside-mounted energy cannon, firing on the spaceship as it flies into a nearby ravine. The children are his next target, but the spaceship returns from the ravine just in time to fire a beam into the cannon with Mr. Big inside, killing him. The children watch the ship fly into the night sky with shower of light.

The children return to the city, believing that Michael is gone forever. As the boys talk about Michael, Katie walks away crying and clutching a paper star. As she sits in a corner wishing for him to come back, the paper star flies out of her hand and Michael walks out of the night fog. He takes them to Club 30's, where they find that the club has turned into the backstage area of a concert. Michael's stage crew return the children's missing dog and then escort Michael onto the stage where he performs "Come Together".

Personnel

  • Written, composed, clap, solo and background vocals by Michael Jackson
  • Produced by Quincy Jones
  • Co-produced by Michael Jackson
  • Bill Bottrell, John Robinson, Bruce Swedien: Drums
  • David Williams: Guitar
  • Kim Hutchcroft, Larry Williams: Saxophones
  • Gary Grant, Jerry Hey: Trumpets
  • Kevin Maloney: Muted Steinway piano
  • Christopher Currell: Synclavier
    • Certain synclavier effects by Denny Jaeger and Michael Rubini
  • John Barnes, Michael Boddicker: Synthesizers
  • Chief of police announcement by Bruce Swedien
  • Michael Jackson's heartbeat recording by Dr. Eric Chevlen; digitally processed in the Synclavier
  • Rhythm arrangement by Michael Jackson and John Barnes
  • Vocal arrangement by Michael Jackson
  • Horn arrangement by Jerry Hey

Chart performance

Chart (1988–89) Peak
position
Australia (ARIA)[4] 16
Austria (Ö3 Austria Top 40)[5] 17
Belgium (Ultratop 50 Flanders)[6] 1
Canada Top Singles (RPM) 6
Europe (Eurochart Hot 100) 2
France (SNEP)[7] 4
Germany (Media Control AG)[8] 9
Ireland (IRMA) 1
Italy (FIMI)[9] 6
Netherlands (Dutch Top 40)[10] 1
New Zealand (RIANZ)[11] 29
Spain (AFYVE)[12] 1
Switzerland (Schweizer Hitparade)[13] 5
UK Singles (The Official Charts Company) 3
US Billboard Hot 100[1] 7
US Hot R&B/Hip-Hop Songs[1] 2
US Hot Dance Club Songs[1] 10
Chart (2009) Peak
position
Australian Singles Chart[14] 16
Danish Singles Chart[14] 28
European Hot 100 Singles[15] 20
French Singles Chart[14] 61
French Digital Singles Chart[16] 10
New Zealand Singles Chart[14] 37
Swedish Singles Chart[17] 12
Swiss Singles Chart[14][18] 12
UK Singles Chart[19] 13
UK Download Chart[20] 13
US Billboard Digital Songs[21] 12

Track listing

  1. "Smooth Criminal" (Single Mix) – 4:10
  2. "Smooth Criminal" (Instrumental) – 4:10
  • 12" Maxi and CD-Maxi:[22]
  1. "Smooth Criminal" (Extended Dance Mix) – 7:46
  2. "Smooth Criminal" (Extended Dance Mix Radio Edit) – 5:20
  3. "Smooth Criminal" ("Annie" Mix) – 5:35
  4. "Smooth Criminal" (Dance Mix – Dub Version) – 4:45
  5. "Smooth Criminal" (A Cappella) – 4:12
  • Visionary Single:[22]

CD side:

  1. "Smooth Criminal" – 4:10
  2. "Smooth Criminal" (Extended Dance Mix) – 7:45

DVD side:

  1. "Smooth Criminal" (Music Video)
  1. "Smooth Criminal" (Extended Dance Mix) – 7:46
  2. "Smooth Criminal" ("Annie" Mix) – 5:35
  3. "Smooth Criminal" (Dance Mix – Dub Version) – 4:45
  1. "Smooth Criminal" (Single Mix) – 4:12
  2. "Smooth Criminal" (Extended Dance Mix) – 7:46
  3. "Smooth Criminal" (Extended Dance Mix Radio Edit) – 5:20
  4. "Smooth Criminal" ("Annie" Mix)  (different from other releases) – 5:35
  5. "Smooth Criminal" (Dance Mix – Dub Version) – 4:45
  6. "Smooth Criminal" (A Cappella) – 4:12

Music video

Jeffrey Daniel of the soul music group Shalamar co-choreographed the "Smooth Criminal" video with Jackson and Vincent Patterson, who was a back-up dancer in "Beat It" and "Thriller". It was directed by special effects coordinator Colin Chilvers. The dance sequence of the video in the 1930s style lounge (and Michael's white suit and fedora) pays tribute to the Fred Astaire musical comedy film The Band Wagon. Currently there are four different versions of the video for "Smooth Criminal," as well as an additional vignette created for the 2009 This Is It concert series:

  • Original Moonwalker Version - This is the version included in the Moonwalker film - while technically the whole "Smooth Criminal" segment is about 40 minutes long, the actual "Smooth Criminal" song section is only about ten minutes. It is generally the most complete version of the video and includes the unedited middle section of interpretive dance with the dancers but does not include the last six seconds where a flapper fans herself after the door is shut behind Michael. In comparison to the original song this version has two lines in the second stanza added: "Everytime I try to find him he's leaving no clues left behind him. And they have no way of knowing of the suspect, or what to expect".
  • Moonwalker Edit - This version is included on History on Film, Volume II as well as Michael Jackson's Vision and it is basically an edited version of the ten-minute song section from the "Smooth Criminal" segment in the film Moonwalker. It is essentially the same, however it has some minor changes including: different opening music and no dialogue, the middle section with the dancers chanting has been truncated (some of the chanting has been shortened) and ends similarly to the original where Michael exits the club but with the addition of the lead flapper fanning herself.
  • Album Version - This is the version of the video that is on Michael Jackson's official website, as well as his YouTube channel. It also appears during the end credits for Moonwalker and Number Ones (video) and was included on the "Visionary" single and the bonus taget exclusive DVD of Bad 25. It is essentially a lot of clips from the Original Moonwalker Version of the "Smooth Criminal" video, that have either been sped up, or slowed down, with an added blur effect, and some alternate angles. The video is four minutes and seventeen seconds long. Throughout the video, the regular version of the song is played.
  • Single Version - This unreleased version is edited to be in sync with the Single Mix taken from the "Smooth Criminal" single released October 24, 1988. It excludes the added lyric & interlude. This video is four minutes and three seconds long. It is considered an MTV Base video.
  • This Is It Vignette - 2009 video, shot in black and white and intended to be shown during the London O2 concert series. It runs three minutes and forty-two seconds and features Jackson in a reprisal of his Moonwalker character, digitally inserted into the sets of various film noirs, including Gilda and The Big Sleep (1946 film) along with a few shots/scenes of his film Moonwalker.

The video won Best Music Video at the 1989 Brit Awards and the Critic's Choice awarded Jackson the "Best Video" award and the People's Choice Awards for "Favorite Music Video" for that same year.

Anti-gravity lean

Jackson performs an anti-gravity lean in the "Smooth Criminal" music video.

In the video, Michael Jackson performs an anti-gravity lean seemingly impossible, by using hidden cables. But to accomplish this maneuver for stage performances, Jackson patented a hitching mechanism which was built into the floor of the stage and the performer's shoes.[23] The system consists of pegs that rise from the stage at the appropriate moment, and special shoes with ankle supports and cutouts in the heels which can slide over the pegs and be temporarily attached to the stage. These allow a performer to lean without needing to keep his center of mass directly over his feet.[24] However, the trick still required very good core strength.

During the HIStory World Tour, the concert in Moscow, Russia on September 17, 1996, Michael's one shoe had become unlatched from the stage, causing him to lose his balance. The sole of the shoe was re-designed after that performance. The pair of shoes used during the Moscow show were displayed at the Hard Rock Cafe in Moscow for several years; later they were sold at auction for $600,000 after Jackson's death in the summer of 2009.

Covers

Alien Ant Farm cover

"Smooth Criminal"
Single by Alien Ant Farm
from the album Anthology
Released July 24, 2001
Format CD
Recorded 2001
Genre Alternative rock, funk metal
Length 3:29
Label SKG Music
Writer(s) Michael Jackson
Producer Jay Baumgardner
Alien Ant Farm singles chronology
  "Smooth Criminal"
(2001)
"Movies"
(2001)

In 2001, Alien Ant Farm released a cover of "Smooth Criminal" as their debut single from their album Anthology. According to the band members, they would play a few riffs of the Jackson song while warming up before gigs and audience members would request them to play the entire song. This positive feedback encouraged them to record their own rendition of "Smooth Criminal" and include it on Anthology. It became a number one hit on Billboard's Modern Rock Tracks chart and was also a number one in Australia. The song was also featured in the 2001 film American Pie 2, during a scene wherein Jason Biggs' character, Jim, superglues his hand to his crotch. The album Greatest Hits (1999) includes a hidden track named "Slick Thief", which is in fact an early version of "Smooth Criminal". This version was featured on the video games Karaoke Revolution and Guitar Hero On Tour: Decades. It was released as downloadable content for the Rock Band series of video games.

Other cover versions

2000s

  • In 2002, the band ApologetiX has recorded a parody of "Smooth Criminal" called "Smooth Grandmama" for their album Grace Period.[25] The song's instrumentation is a parody of the Alien Ant Farm version.
  • In 2008, Violinist David Garrett recorded an classical instrumental cover of "Smooth Criminal". It is released on his album Encore.
  • In 2008, J.Viewz, stage name of Israeli musician Jonathan Dagan and his band, recorded an easy-listening/jazz cover of "Smooth Criminal", which was released on the EP Besides.
  • In 2008, South Korean boy band TVXQ's 3rd Japanese album T, has a track called "Trick" that features "Smooth Criminal"'s pre-chorus ("Are you okay, Annie?" is changed to "Are you okay, honey?")
  • In 2009, Wizard rock band The 8th Horcrux recorded a parody, entitled "Ginny, Are You OK?", referencing Ginny Weasley and the plot of Harry Potter and the Chamber of Secrets. It also is based on the Alien Ant Farm version.[26]
  • Lucky Boys Confusion performed a cover as a staple of their live performances but declined to record it for their major label debut.
  • In 2009, singer Shakira pays homage to Jackson by doing an anti-gravity lean in her "She Wolf" music video.
  • In 2009, South Korean pop groups SHINee, Super Junior and Girls' Generation did a performance of Smooth Criminal at the Gayo Festival.

2010s

  • Delmos Wade performed a cover of "Smooth Criminal".[27][28]
  • In 2011, the Uzbek Band Abbos performed an instrumental version of "Smooth Criminal" with traditional Uzbek musical instruments.[29]
  • In January 2011, musical duo 2Cellos (consisting of Luka Šulić and Stjepan Hauser) recorded a cover of "Smooth Criminal" played solely on cello, which became a hit on YouTube[30] and released later on their debut album.
  • In January 2012, Naya Rivera (as her character Santana Lopez) and Grant Gustin (as Sebastian Smythe) sing Smooth Criminal as a duet in the television show Glee, backed by musical duo 2Cellos. The song is filmed in a similar environment as the 2Cellos music video, in a room surrounded by empty chairs as the two musicians play. This cover debuted and peaked at number 26 at Billboard Hot 100, number 10 at Billboard Digital Songs, and number 28 at Billboard Canadian Hot 100 chart at the week of February 18, 2012.[31]

Appearances in other media

Author:Bling King
Published:Mar 6th 2013
Modified:Mar 6th 2013
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Voting Poll
:
There is no such thing as time
Posted by Bling King

    

     Upon further ponderance I have come to the conclusion that time does not exist except in the law of physics. I have come to this conclusion through the observation of how things change and why they change at the pace in which they change. To me it seems that every change that takes place  in the universe is not dictated by time but rather physics. It is the law of physics that dictates the rate and speed at which all things change. For example if you have a car  that is traveling at 100 miles an hour the speed at  which the car travels is all dictated by physical changes and therfor controlled by the law of physics..Therfor it seems that for any change to take place all you need is physics and the law of physics that governs the physical changes. Time does not need be a factor and bears no relavance. As long as we have the law of physics everything will happen in accordance with those laws.

The composition of time
Posted by Bling King

   

    Time has 3 components. A front a middle and a rear. In the front time has what appears to be something of perspectual perspectualness that will move things forward at a set forth proponent. This part of time is easy to see and witness. However it is not easy to predict at which point time will make forward momentum happen. It would seem that this forward momentum is always in inactment but I would disagree with this. To me it seems more as if time interacts with things on its own accord leaving somethings unchanged for long standing periods of time. An example of this would be how time occasionally interacts with the speed of light. The speed of light remains constant but occasionally time will manifest itself into the equation and make modifications of the speed that light travels. For instance light will move forward forthwittingly at a billion miles a second but if it encounters any kind of resistance then time will inject itself and change the speed at which it was moving. Which leads me to the assumption that in order for time to inject itself into any equation a proponent has to take place that makes a physical change that would cause time to interject itself. If no physical change takes place than time has also not been a factor.

    The middle proponent of time is the area in which time is manipulating  the change that takes...Read More

👄What turns me on
Posted by Bling King

    I get turned on by some funny stuff. I'm not really into like full blown kinkiness or at least I wouldn't consider myself to be a kinky person but I do have a few fetishes. Some of them are a little out of the ordinary. For instance I have this one fetish about being tied up  and thrown in the ocean and then rescued by a mermaid. I think this fantasy comes from when I was a kid and I used to dream of mermaids and always wanted to meet one. Well one day its gonna happen. Now don't go telling me mermaids don't exist. You don't know cause they are in fact real and as soon as I meet one I will prove it to you. As far as some of my other turn ons  I guess what really gets me excited is people who  tell other people to shut the fuck up. I love when a woman just looks at a man and tells him to shut his mouth. To me thats a big turn on because the woman seems assertive like a dominatrix or something. If she will be assertive in a conversation she will be assertive in the bedroom or so I  would like to believe.

Time is a dialectable derelict
Posted by Bling King

To fathom the fortrighteousness of time one has to contemplate the personification of forthwittial forthwittil. Time forthwittingly will only listen to the commands of its on inner personification to which there is no directional direction or so it would seem but on further inquisitories I have come to realize that there is a forthwittingly forthwittal of which time has pronounced and those commands seem to speak to the nature of to which time corresponds. To review these pronouncements for your own bemusement look at time as if you had it captured it  in a bottle. What would happen? We know on the inside of the bottle time would force the inner workings of the bottle to correspond to times diabolical commands. Causing everything to change to times everlescent rules. however on the outside of the bottle things would not change, everything would stay in constant neutrality or would it? The question remains if there was no time would things still be allowed to happen and if so at what pace and what would dictate the pace at which things would change. There seems to be no rule in place for the dictation of the pace change which takes place. So it would seem that time has decided that factor somehow within itself. There could be a correlation at which things change and the pace being dictated by physics and the amount the physical world can be allowed to change within its own accord of set boundaries. To actually find...Read More

Free from time constraints
Posted by Bling King

 

 

 

There was a time when time did not matter. The thing that was an utmost relevance now was of no matter. The diffrence it made seemed miniscule and now it is constantly dictating everything that takes place before me. What is this thing that controls and makes everything manifest itself to its constraints and why and how does it do this. Time is nothing but the utmost miracle before us. Something that has always had to exist for anything ever to take place. There is no changing its course there is no variance in its absolute everlasting existance. To control time would be the utmost  crown jewel of all accomplishments if indeed it could ever be controlled. The only way I ever see time being manipulated to change its values is to speed up everything that time has interacted with. In order to do such a thing you would have to understand the nature of the objects in question and how they are effected by time. For instance a speeding car will slow down in time without constant force being distrubuted by the engine. To slow down the car one only has to take their foot off the accelarator and gradually time will do the rest but if you could freeze time at the speed at which the car was traveling then time would not  exist because the...Read More

the truth about time
Posted by Bling King

        I have looked at time many times and I have noticed a few components. There is a precise proponent that ushers in a manifestation. Whenever something new is going to happen you can look at that event which is about to take place and precisely predict exactly when it has started. Once you realize a manifestation has taken place you can precisely predict its out come. If you know that a manifestation has started to take place then you will know you are being guided through the realm precisely by the forces of an enlightenment. Throughout time this manifestation will remain constant starting with a beginning and an end and ending in a preconcieved enlightenment. Sometimes an enlightenment can take weeks and some times an enlightenment can take centuries. It depends on how many times that enlightenment has been benounced to the realm. 

 

nothing
Posted by Bling King

I suspect a suffcient of sufficence of suffiacantel suffiance of suffiance of absurdity of absurdanace. In all actual actuality there is an  actual actuality of actualityness in retrospect to the retorospective respect in which every person who has an intellectual intellect can see that the world is a prominance of prominance in which the order will reside as long as the order is maintained. Once that order is relinquished chaos will ensue. For chaos to be a calamity there only needs to be a perspectual perspective of perspectance that escalates the chaos to that height. What would cause that is a person or persons in the realm of the realmatical realmatics looking beyond thier own existance to the existance of there forfathers to see what has become of thier existance. If you look at your own existance for what it is you will see that it is neither logical nor illogical for it makes all the sense of a sensimatical sensematic. As long as you have a reason for your own existance then it is fruitful for you to exist. Once that reason or reasons are gone you will no longer care whether it is you live or die. In the realm in which we live is a prospectus prospectant of prospectantin which all will ensue. To change the prospectus prospectus you need to look to the realm and see what the prospectus prospectant is and manifest it to your own liking. My...Read More

The conclusive conclusion
Posted by Bling King

In all actual reality the realm is manifested of certain procedural procedures that come forth frequently to forthrightous forthrightenous. In the place of predicament I have found that I can properly place things in the procedural sequence unbenowst to people of the realm. In order to conflict the conflictions you have to equate the equation of equationalness in to proper equations. Very simple but also very tedious. You do this by equating the equation into percise preciseness. An example of an equation would be a placement of perdicament of a certain event in which you wish it to be. The next manifestation I could manifest is a manifestual manifestation of manifests of a sequance of certainal circumstances. Put together a sequence by asking the sequence in order to manifest itself and then tell the manifestations to happen in frequence in which they will unfold.

The Unattainable future
Posted by Bling King

     If the future is a grain of sand and its falling through an hour glass nothing in the world can stop it. It will eniquivaocalby blind as to where its going when it comes to its rest it has befallen its fate and will remain where it lay for an eternity knowing nothing about itself or it's surroundings. I am that grain of sand. Nothing ever can change my destiny for only time here makes a diffrence.. To benounce the future is the only way to change ones fortune. The time it takes to make an equivical change remains the utmost mystery of the universe.

🤯In the eyes of myself
Posted by Bling King

 

 

There where three men. All who seemed frightened. They stood on the edge of the canyon looking on as a fourth man tumbled to his death. We could have saved him said one of the men. He should have saved himself said another. The third man just look at them bewildered and brought a handgun to his own head and pulled the trigger. Blood spattered. The two men watched as he slumped to the ground. The first man screamed and the second threw himself to the side of the man on the ground. Why?!! he screamed. It was the only sound heard. Sobbing he looked at the man standing and said you did this! You and your frigging righteous speech about the lives we leave and the sacrifice we must make. Your the devil. I am not the devil said the standing man only the truth. The truth about what? The other man screamed. Your life he said and he jumped.

The man heard a ringing and he sat up slowly. It was over the dream but his thoughts where still on the side of the canyon. How did this happen. How did it all just fade away? The dream came and went in an instant leaving his mind boggled and his eyes heavy. I knew I was there thought the man but how? It was all to familiar the...Read More

The story Elijah and Ellen
Posted by Bling King

The story of Elijah and Ellan. This is the story of Elijah and Ellan. Ellan is a beutiful temptress and Elijah is a dutiful servant of Ellan's. Together the pair fell in love and soon became a duo of in excessible excession. They frolicked in the sun under the rare occurance of rain they took shelter in the arms of each other. One day while hiding from the glares of the sun under an oak tree that provided an abundance of shade they looked into each others souls and realized there where no people suited for each other then the two of them where suited for each other. They basked in the notion that they where the most two compatible souls on the planet. As they where thinking this a giant unforseen acclamaited acclamation occurred. The planet began to tremble and shake beneath them and the stars came out. The sun hid amongst the clouds and everything from start to finish began to take shape. There where huge explosions and giant surges of wind and rain. The two began to run for their shelter knowing at the exact moment the trembling and violent agressions of unacclaimated weather started that they most likely wouldn't make it to see another sunrise. The planet was exploding with molten lava and the tempertures where unbearable as for the two of them could remember they had never seen a winter climate and didn't expect they ever would. The planet had been warming out of...Read More

today was a day of dismal despair
Posted by Bling King

Things have gone down hill drastically now for a very long time. We seem to be some what defeated but yet i know we still have some power and prominance. We are fighting an up hill battle and there is no way forward from here from what i can see. We are trudging along a path that goes nowhere.

⚔️The Greatest Warrior of All Time
Posted by Bling King

 

 

Today i conquered and beat all adverseries there where to beat. Tomorrow new adversaries will arise. I will be ready, there is never a shortage of enemies who wish to dethrone me from the top of the world. I didn't get here by being passive and yeilding to the oppostion. I got here by defeating them both mentally and physically and in entiriety.

In a time of desilute despair
Posted by Bling King

     There was a time when I was in desilute despair. The only thing I had was me myself and I to fall back on. I looked at the person who was my opponent and I knew one of  us was going to die and I was going to do everytrhing I could to make dam sure it wasn't me. I pulled my six shooter from its holster and aimed at the guy looking at me  about 30 yards away. He also went for his gun and in lightning speed he was laid sprawled out on the dirt bleeding and moaning. I had heard a shot but new that it had come from my own gun. He never even got a shot off. I was unscathed and again undeafeted. Anybody who ever tried to kill me was dead and their where over 30 who had tried and failed to kill yours truly.

Gravity
Posted by Bling King

Gravity is the force of nature that pulls cellestrial bodies toward one another. The cause of gravity is the enertia of a bodies movement through space and time. This happens by an object preconcievably traveling through the cosmos at an alarming rate of acceleration. The faster an object travels the more enertia it will build up and then will therefore have a greater ability to move. the more it moves the more other objects will cling to it. the way this can be proved is by taking an object and hurtling it towards another object the two objects would collide do to the enertia pulling them towards each other. Thy would not stay on their current trajectory but their paths would alter towards one another in a greater force than their initial gravitational pull. the best test to accomodate this theory would be tow baseballs flying through the air at speeds over one hundred miles an hour. The baseballs would not interject themselves with one another normally but at this speed would do so do to the balls enertia pulling them towards one another.

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